Theatre, Number, Event : An Appraisal

saitya

Saitya Brata Das

 

[The writer was one of the discussants in a recently organized session at C.S.D.S. , New Delhi, on the occasion of the release of Soumyabrata Choudhury’s book—Theatre, Number, Event: Three Studies on the Relationship between Sovereignty, Power and Truth. Here is the text that the writer has shared with HUG]

I feel honoured to be here today on this occasion of the book launch of Soumyabrata Choudhury’s much awaited book Theatre, Number, Event: Three Essays on the Relationship between Sovereignty, Power and Truth. The book is much awaited, especially for his privileged friends like me, friends who know that Soumyabrata has been working on a book for a long time. Some of us , and I am one among this “ us” , are fortunate enough to have had glimpses into the book in the process of its gestation and unfolding, a process from which certain “violence” is inseparable albeit a creative violence it is. Such violence seems to be inseparable from a book like this, given the formidable ambition and accomplishment of it, as we will be able to see now properly in the light of its publication. Such violence is audible in the very language of the work that does not welcome us immediately and the reader has to think a lot to decide whether she should pick up the book to read at all, not out of disrespect but precisely out of a profound respect, respect that we know to be a certain experience of distance or withdrawal. Such an “unattractive” or rather “attractive” quality of the book can be disadvantage only if the book does not have such formidable ambition and is thus impatient in soliciting the reader’s immediate attention and instant gratification. Sometimes such “indigestibility” or “unattractive” character proves to be good for the health of a work, especially if it merits serious attention from the reader who wants to read in a responsible manner.

Given the formidable character of the book that takes the reader into a labyrinth that seems to have a secret password connecting so many paths and counter paths, lanes and by-lanes and thereby weaving an intricate network of concepts, spaces, and times, it is impossible for me to talk about the book in a comprehensible manner. Moreover, one should leave the reader to the risk of the book, the kind of risk, or “wager”- a word that Soumyabrata is in love with – wager that book itself assumes. I should therefore let each reader to judge her/himself whether such a risk that the book undertakes is at all worth taking and whether the researcher has succeeded or failed in his attempt. I will just speak, within some minutes of clock-time, of one of the problems that book raises in a manner of a glimpse or in the blink of an eye. Obviously, it is going to be insufficient and even, perhaps, unworthy of me since I do different things, and raise some different problems in my works. So I will take up one problem, the problem with which the books begins, the problem that I am somehow more interested and little-bit more connected, which is: the problem or rather the scandal of “sovereignty” and the question of the political-theology.

The question that Soumyabrata appears to me to have raised is not so much to ask: ‘what is sovereignty or even, who is the “sovereign” so as to arrive at the “axiomatic” understanding of sovereignty or at the concept of the “political” as such.In fact, a good deal of the book is devoted to the even more preliminary discussion of the “axiomatic”, bringing out carefully the precarious or fragility that adheres in the “axiomatic” as such, the poros or the aporetic that ties and unties its claims to the status of the “immemorial”. The book rather raises the following uneasy question: ‘why is it that, and in what manner is it at all that the concepts/figures/modes of sovereignty assume the status of the “axiomatic” in such a way from which a certain claim of the “immemorial” is inseparable?’ Now this assumption of sovereignty and this intrigue of relation between sovereignty, axiomatic and immemorial itself, while being structural, is also historically variable, not just in a quantitative manner but in a manner of qualitative discontinuities. Thus from the liturgical foundation of sovereignty to the later Christus-Fiscus parallelism that justifies sovereignty, there is a discontinuity, in fact a violence that Soumyabrata delineates carefully with the help of Ernst Kantorowicz in a manner that will surely evoke much admiration for the reader. To answer the question he asks, Soumyabrata traces out a history or perhaps better, a genealogy of apparatuses of inter-linking practices and discourses alike by means of three interlinking fictions of concepts – “theatre”, “number”, “event” – to reveal the thread that tie and untie the “axiomatic” to the “sovereignty” and “sovereignty” in turn to the “immemorial”. It appears here as if the porosity or fragility of the one immediately brings porosity to the others: the porosity and aporetic binding or unbinding of the axiomatic claims of sovereignty to the immemorial.

2013-04-28 11.17.49Soumyabrata conceives that it is the philosophical task par excellence, the task of this strange discourse called “philosophy” – here I don’t go too far with what he understands by “philosophy” – to envisage, or better welcome the “new immemorials” that are eventive, aleatory and ever new contingent eruption that breaks into the historical continuum of the world. Here and this now of this “breaking into” is the place of the “new”, a space without a pre-given parameter of measurement and a time without pre-given measure of numbers. Such a possibility of thinking, for Soumyabrata, is given by a strange mathematics, now released from a dominant version of the “mathematizable” in the sense of the countable mathematics of number, a “contingent” or “situational” mathematics if at all one can use these words, mathematics that is not alien to “the logic of multiplicity” that constitutes and potentially deconstitutes each situation, each topos, each denomination, making hegemony of each and any nominative denomination broken. What, then, Soumyabrata seems to me to be concerned with are bruises, wounds or injuries that affect any claim of the worldly powers to sovereignty. If you read the text attentively in its performative gesture – and we all know that Soumyabrata is a great performer, a great actor – without hurrying to catch up with the core content or doctrine abstracted from the verbal character of the book, then you see these terms abound – especially the words like “wound” and “torsion”, beautiful words they are, but also violent. For Soumyabrata, each axiomatic claim of the sovereign to the immemorial is wounded and is potentially broken, and by a strange logic, is marked by a paradox, by paradoxes, because these immemorials are never true immemorials. Therefore this discourse called “philosophy” needs to be infinitely restituted in the name of the “new immemorials” wherein immemorial has nothing much to do with something that has passed by beyond memory, but an immemorial , or rather immemorials to come which will never be part of any speculative memory and will therefore never be appropriable to sovereignty.

This is his hope, and it is this hope and this promise that gives the energy and dynamis to Soumyabrata’s thought. In so far as such hope is unconditional, it can never be demonstrated or even validated by measures or numbers of what already exist as countable; they can thus only be “fictions”, not “fictions” opposed to “truth” but “fictions” that do not need to oppose to “truth” at all, but rather welcome it, immemorial and infinite truth. Where, in what discourse, in what trembling language, in what tonality and gestures, in what rhythms and caesuras that such “fictions” may break into and be seized if not in “philosophy” itself, this abyssal and dizzying landscape wherein fabulization of the world may be taking place even though it is the very discourse that wants us to be disenchanted with the mythic foundation of the world?

Here comes the strangest paradox among all the paradoxes: philosophy alone is the discourse that, precisely by absolving from the immediate stakes of the world in a immediate manner of urgency – and therefore for philosophy alone such a task of the immemorial can at all be a task, a unique and so absolutely singular task – such a discourse alone in a profound manner exposes us to the absolutely contingent, so irreducibly aleatory and such precarious moments of life as they appear to us without any pre-given measurement of numbers and without the calculability of the “count as one”. This is the problem of mortality. Soumyabrata never has raised this question in this manner, but he is so attentive to this strange paradox that ties and unties all sovereignty in advance. The sovereign must transcend any given situation that immediately exists as a generalizable order of law; as if the “halo of perpetuity”, the term that he borrows from Ernst Kantorowicz, has never ceased to determine sovereignty as such, even if such a doctrine is historically applicable only to a specific formulation of sovereignty. But at the same time, mortality haunts each figure, each contour, each icon, each idol of sovereignty, bruising each figure with the wound of mortality. If so, the immemorial task of philosophy to welcome the “new immemorials” can only be bruised, wounded, and therefore a mortal immemorial, the immemorial that is haunted by the sting of mortality, with the possible death of the world. How to think this connection between mortality and the immemorial in such a way that each and every hegemony founded upon the sovereignty of principle – principle beyond all principles – is destituted, in so far as the question of sovereignty is essentially the question of principle, of thetic and thus is of the nominative?

I will conclude my talk by taking you from Soumyabrata’s book to another work. In the posthumously published magnum opus, Broken Hegemonies – a book that Soumyabrata has not referred in his work – Reiner Schürmann calls us to be attentive to the connection between thetic, denomination, nominative and nomos , a connection that establishes the an-Archic arché of sovereignty , constituting thereby each linguistic regimes of hegemony. But mortality haunts each of such instituting and founding acts of natality, as if like an undertow, destituting each hegemony in turn and thereby rendering each situation, each historical condition tragic. Such a tragic is for Schürmann the true philosophical task of thinking that welcomes what he calls ‘singularization to come’.

Perhaps the time has come to ponder anew over the tragic condition of our existence, one that is historical, in such a manner that we never cease welcoming such singularity to come , a never ceased destitution of all institution in the name of such a ‘to come’. I congratulate my lovely brother and my dear friend – and I must now speak in this personal manner – for giving us such a work that will inspire to think such difficult questions once again. Thank you.
____________________________________________

Saitya Brata Das is Assistant Professor, Centre for English Studies, School of Language, Literature and Culture Studies, JNU, New Delhi.

 

 

 

Zollikon Seminars: An Evening’s Exchange

Heidegger and Boss 2

from  Z O L L I K O N  S E M I N A R S 1 9 5 9 – 1 9 69

 

[The Zollikon Seminars were a series of philosophical seminars delivered between 1959 and 1969 by Martin Heidegger at the home of Swiss psychiatrist Medard Boss. The topic of the seminars was Heidegger's  philosophical method as it pertained to the theory and praxis of medicine, psychology, psychiatry and psychotherapy. The protocols of the seminars, along with correspondences between Heidegger and Boss, were published in German in 1987 under the title Zollikoner Seminare, Protokolle- Gersprache- Briefe Herausgegeben von Medard Boss. The English version of the text was published in 2001. Here is a section from an evening's informal discussion ]

 

 

 

July 6,1964, at  Medard Boss’s Home 

But let us praise not only the sage
Whose name shines on the book,
For first of all one has to tear the wisdom from the sage.
That is why the customs collector should also be thanked.
He was the one who asked it of him.

Legend ["Legend of the Origin of the Book Tao-te-Ching by Lao Tzu on His Way to Emigration"]

                                                                                                                                                                                                         (Bertolt Brecht)

 

MARTIN HEIDEGGER: For once we must disregard all science in view of what we will now discuss, that is, no use should be made of it now. It must be asked then in a positive sense: How then should we proceed? We must learn a new way of thinking—a thinking which was already known to the ancient Greeks. Returning to the theme of our last meeting, we ask: Is this the same table which stands before me today?

SEMINAR PARTICIPANT: I remember it differently. It’s really not the same! It’s been exchanged.

MH:Suppose it is the same [derselbe]. Is it also alike [dergleiche]?*

SP: No, I remember it differently.

MH: In the aide-memoire [seminar protocol] which lies in front of you, the expression “pure and simple” is used. How about it?

SP: It has something to do with something simple and plain.

MH:  Yes, but is this “acceptance” [hinnehmen] actually so simple? Obviously not. Direct acceptance is not an absolute certainty. Does it have the character of certainty at all?

SP: It has a momentary certainty: It is here and now, not absolute.

MH: What characteristic of certainty does direct receiving-perceiving have?

SP: Empirical existence.

MH: It is an actual, but unnecessary existence. This is called assertoric certainty. This is in contrast to what is called apodictic certainty, for example, 2 X 2 = 4. Apodictic certainty is not absolute either, but it is necessary. Why isn’t it absolute? .. . In 2 X 2 = 4 “the same as” [=, equals] is presupposed. It is also presupposed that two always remains identical to itself; therefore, it is a conditional certainty. Now, we first described this table, but that is not what interests us. Only “the table which exists” is of interest to us. We took this existence for granted in the sense of what is called acceptance. Now, what does it mean to exist? Being is not a real predicate according to Kant, but we speak about the table’s existence. What is meant by this “real”? It indicates relating to the nature of a thing [Sachhaltifrkät]. In this sense, existence is not real. Nevertheless, we attribute existence  to the table. Existence belongs to it. How does it belong to it? What does existence mean?

SP: The table is in space.

MH: Does this belong to the nature of the thing?

SP: Extension is a property of space.

MH: How?

SP: It has extendedness [Ausgedehntheit]: how high it is; how wide, and so forth. These are its dimensions.

MH: Are extension and dimension different? What is the difference?

SP: Dimension is an arbitrarily selected extension.

MH: How do particular spaces relate to “space”?

SP: Space contains them.

MH: Space is not “the universal in relation to [particular] spaces, as with trees, for example, as the tree is [the universal] to particular trees. Now, what characterizes this space?

SP: It is space, which is demarcated.

MH: It is a space for living; it contains useful things. There is an orientation to things in space. Things have a special meaning for the people who live there. They are familiar to some [of the people], but strange to others. This space has characteristics other than “space.” How is the table in space now?

SP: It belongs to space; it takes up space.

MH: But how?

SP: It has a shape which limits it according to its space.

MH: Yes. Now you can see how it is with this aide-memoire, as they call it. What meaningless sentences! That’s why we*re so helpless with this scribbling on paper!

Now, we are asking whether this table would still be here if Dr. R. were no longer here to see it.

SP: Both of them are located in the space, which separates the observer from the table, as well as connects him to it.

MH: Separates? Are you sure? If something is separated, it must have first been connected.

SP: Better to say distant from, removed from.

MH: Distance [in the originary, ontological sense]  has nothing to do with separating and connecting. Now, last time we asked: If we put a wall between the table and Dr. R., [then] is the table still there?

SP: Then the table is no longer visible to the observer.

MH: But is the table still there?

SP: It’s behind the wall. It’s hidden.

MH: No, not even hidden.

SP: We don’t have an immediate perception [of it], but we can remember and imagine it.

MH: Do you see? It’s not so easy.

SP: For a child or for a primitive man, it wouldn’t be there anymore. Existence not only consists in its being seen.

MH: Close your eyes. Where is the table now?

SP: Concerning perception, the table is gone—but with [your] eyes closed you can still trip over it.

MH: Yes, that would be a particularly stark perception. Then, is the table only represented in my head?

SP: The table remains in its place, but that’s not absolutely certain. Someone could have taken it away…. When I close my eyes, I still have a particular relationship to it. It doesn’t make any difference whether the table is still there. ^

MH: Let’s assume you close your eyes. When you open them again, is the table gone? What then?

SP: Amazement, disappointment.

MH: What does disappointment mean?

SP: An unfulfilled expectation.

MH: Yes, exactly. Even when your eyes were closed, you were by the table. Dr. R. then perceives the table here from over there. How does this happen? Then where is R.?

SP: Here and there.

MH: R. is here and there at the same time, but the table cannot be here and there at the same time. Only the human being can be here and there at the same time.* The table is in space in a different way than the human being.

SP: R. has a relationship to the table, but the table does not have a relationship to him.

MH: But what about space?

SP: I move in space.

MH: How?

SP: I move myself. The table is moved.

MH: Then, how about this clock? Doesn’t it move by itself as well?

SP: No, its hand is moved by people.

MH: It runs by itself.

SP: No, a spring moves it. The spring is made by people.

MH: The spring belongs to the clock. The clock runs. That is part of it.

SP: No, the clock does not move itself, only the hand.

MH: Then the hand.. . . What part of the human being is in space?

SP: The body.

MH: Where are you yourself? I change my position like this. Then, do I only move my body? . . . The table does that too!

SP: Last time we reached the point where we characterized space as the open and as pervious. How does the human being relate to the open now?

MH: Yes, that’s the question.

SP: I am not only in space. I orient myself in space.

MH: What does that mean?

SP: I am in space, as far as I comprehend it.

MH: In what way?

SP: Space is open for me, but not for the table.

MH: Space is open through you. And how is it for the table in this case?

SP: Space is not open for the table.

MH: Is space anything at all for the table?

SP: The human being has space present to him.. . . The table was made. The human being has space and has [also] made the table.

MH: Can’t the table, which has been made, be in space the same way as the human being? Here “to make” [produce] means “to stand here.” The table has been released away from its relationship to production. The meaning of handicraft and art is that something has been made and can stand on its own. So what does it mean [when I say]: I orient myself in space, but the table does not?

SP: We suppose that the table doesn’t do it.

MH: Doesn’t the table have anything to do with orientation?

SP: The human being can orient himself or herself to it. For example, the table itself is oriented in relation to the four cardinal points of the heavens (N, S, E, W). It has a definite location and has been placed there for Professor H.

MH: It has been arranged in the room. It is oriented according to a way of living. Orientation has something to do with the rising of the sun. Why then not ocddentalization?

SP: “Orient” means the rising of the sun and of the light.

MH: With the rising of the sun, it gets light and everything becomes visible. Things shine. In certain burial rites, the face is turned toward the east. Churches are oriented in the same way as well. By the way, when the light is turned off, how is it then with the clearing [Lichtung]? . . . “Clearing” means “to be open.” There is also clearing in darkness. Clearing has nothing to do with light but is derived from “lighten” [unburden]. Light involves perception. One can still bump into something in the dark. This does not require light, but a clearing. Light—bright. “Light” comes from “lighten,” “to make free.” A clearing in the forest is still there, even when it’s dark. Light presupposes clearing. There can only be brightness where something has been cleared or where something is free for the light. Darkening, taking away the light, does not encroach upon the clearing. The clearing is the presupposition for getting light and dark. It is the free, the open.

SP: What is that—the free, the open?

SP: The free and the open is space. Is it only the free space or the space occupied by the table?

MH: If space were not free, the table couldn’t be there. Space frees the table. Space is then “occupied,” but that doesn’t mean it’s no longer free.

SP: Then is it the same space as the space of this room?

MH: The room belongs to it. Once more, you see that language is wiser than we think. “Space” comes from “making space” [for]. What does this mean?

SP: “To free”. . . but also “to make space for,” that is, to arrange, to put in place, or on the other hand, to make a place for.

MH: Space has places. To clear away [aufräumen], to make order among things that are not in place. That is something different from simply being present-at-hand [Vorhandensein].

SP: We also speak about “being cleared up” [aufgeräumt] if someone is in a good mood.

MH: Yes, then one is serene [cleared up], free. Are space and clearing identical, or does one presuppose the other? . . . Now, that cannot be decided yet. There can be something else in the clearing: time. We haven’t talked about that yet. Let’s occupy ourselves some more with the difference between free and open, on the one hand, and with something empty, on the other.

SP: Something “empty” means “containing nothing.”

MH: Therefore, not occupied. “Free” also means “not occupied,” but in a different way.

SP: “Free” means “free for something.”

MH: It is able to be occupied. “Empty,” however, means “not occupied.” Space can also remain free, even when it is occupied. Something is empty only because there is the free.

SP: Is it possible then that unoccupied is different from not able to be occupied?

MH: The empty [avoid, a vacuum] is the unoccupied free [realm].

SP: The free has a ground [Boden], Under certain circumstances, the empty does not. You can have a groundless void.

MH: Outer space, for example. Isn’t it able to be occupied? It’s very much occupied indeed. There is no void without the free [realm]. The void is grounded in the free.

SP: What is meant here by “ground”? The ground for what?

MH: It is a relation concerning the nature of a thing, not a logical ground [between concepts].

SP: That’s difficult for the students because ground is always understood in the sense of logical conclusions alone. You say: having the nature of a thing [sachhaltig], But what kind of a thing [Sache] is this?

MH: Thing [as a subject matter] is that with which we are dealing.

SP: I cannot understand the open or the free as a “thing.”

MH: Is “subject matter” only a “thing”?* Indeed, there are non-perceptible subject matters. Space, or 2 X 2 = 4, for example. These are subject matters. Here “subject matter” means “something with which we are dealing.”

SP: Then what does being a “subject matter” mean?

MH: A ground for a subject matter means that one subject matter cannot exist without another subject matter. There cannot be a void without the “free. “Free,” that is, “capable of being occupied,” is more original than “void.”

SP: We feel that it could also be stated inversely: There is the “free” only because there is the void [empty].

MH: The difference between ratio essendi and ratio cognoscendi comes into play here. Something empty is the ground for knowing [Erkenntnisgrund]the free, but the free is the ratio essendi [Seinsgrund] for something empty. It is a ground for being, not a [physical] cause. Then how is the human being in space? Does the human being only occupy space, or am I in space in a different way?

SP: I use my place. I sit.

MH: Does the table sit? What does “it sits” mean?

SP: I can take different positions [verschiedeneHaltung] in space.. . . The human being fills up space.

MH: So does the table.. .. When I refer to the human being, I am already referring to space too.

SP: The human being and space belong to each other.

MH: How? Space also belongs to the table.

SP: The human being is able to comport [verhalten] himself toward space.

MH: He is always comporting himself [toward something].

SP: Space belongs to the human being’s essential characteristics. I comport myself toward things in space, therefore, also toward space. Space is open to the human being.

MH: For the table too.

SP: I’m already in this space in which I move.

MH: I walk by occupying space. The table does not occupy space in the same way. The human being makes space for himself. He allows space to be. An example: When I move, the horizon recedes. The human being moves within a horizon. This does not only mean to transport one’s body.

SP: Then how is it with an animal?

MH: Again, it is a different relationship toward space. The animal does not speak. The animal does not experience space as space.

SP: What does this “as” mean?

MH: The animal is acquainted with the ditch it jumps over as a simple matter of fact [Sachverhalt], but not as a concept.

SP: The animal cannot reflect.

MH: Is language so essential? Surely there is also away of communicating without language.

SP: Language and verbal articulation are confused with each other here.

MH:The human being cannot comport himself in any way without language. Language is not only verbal articulation. Communicatio is only one possibility. “To say” [sagen] originally meant “to show” [zagen].+

SP: When we talk about “occupying space,” the usual understanding is that we are there, where our body is.

MH: I sit here. I talk with you. I sit opposite the wall. I am related to things in space. The table as a table is not related to other things! To comport oneself to something as something means to speak and to say: I am open to space. I can move. I know where something belongs, but I don’t need to view space as space. Without paying attention to it thematically, without being occupied with it, I let space be as the open.

—————————

Walking (an excerpt)

 hh

Henry David Thoreau

I can easily walk ten, fifteen, twenty, any number of miles, commencing at my own door, without going by any house, without crossing a road except where the fox and the mink do: first along by the river, and then the brook, and then the meadow and the woodside. There are square miles in my vicinity which have no inhabitant. From many a hill I can see civilization and the abodes of man afar. The farmers and their works are scarcely more obvious than woodchucks and their burrows. Man and his affairs, church and state and school, trade and commerce, and manufactures and agriculture even politics, the most alarming of them all—I am pleased to see how little space they occupy in the landscape. Politics is but a narrow field, and that still narrower highway yonder leads to it. I sometimes direct the traveller thither. If you would go to the political world, follow the great road—follow that market-man, keep his dust in your eyes, and it will lead you straight to it; for it, too, has its place merely, and does not occupy all space. I pass from it as from a bean field into the forest, and it is forgotten. In one half-hour I can walk off to some portion of the earth’s surface where a man does not stand from one year’s end to another, and there, consequently, politics are not, for they are but as the cigar-smoke of a man.

The village is the place to which the roads tend, a sort of expansion of the highway, as a lake of a river. It is the body of which roads are the arms and legs–a trivial or quadrivial place, the thoroughfare and ordinary of travellers. The word is from the Latin villa which together with via, a way, or more anciently ved and vella, Varro derives from veho, to carry, because the villa is the place to and from which things are carried. They who got their living by teaming were said vellaturam facere. Hence, too, the Latin word vilis and our vile, also villain. This suggests what kind of degeneracy villagers are liable to. They are wayworn by the travel that goes by and over them, without travelling themselves.

Some do not walk at all; others walk in the highways; a few walk across lots. Roads are made for horses and men of business. I do not travel in them much, comparatively, because I am not in a hurry to get to any tavern or grocery or livery-stable or depot to which they lead. I am a good horse to travel, but not from choice a roadster. The landscape-painter uses the figures of men to mark a road. He would not make that use of my figure. I walk out into a nature such as the old prophets and poets, Menu, Moses, Homer, Chaucer, walked in. You may name it America, but it is not America; neither Americus Vespueius, nor Columbus, nor therest were the discoverers of it. There is a truer amount of it in mythology than in any history of America, so called, that I have seen.

However, there are a few old roads that may be trodden with profit, as if they led somewhere now that they are nearly discontinued. There is the Old Marlborough Road, which does not go to Marlborough now, me- thinks, unless that is Marlborough where it carries me. I am the bolder to speak of it here, because I presume that there are one or two such roads in every town.

 

THE OLD MARLBOROUGH ROAD

Where they once dug for money,

But never found any;

Where sometimes Martial Miles

Singly files,

And Elijah Wood,

I fear for no good:

No other man,

Save Elisha Dugan–

O man of wild habits,

Partridges and rabbits

Who hast no cares

Only to set snares,

Who liv’st all alone,

Close to the bone

And where life is sweetest

Constantly eatest.

When the spring stirs my blood

With the instinct to travel,

I can get enough gravel

On the Old Marlborough Road.

Nobody repairs it,

For nobody wears it;

It is a living way,

As the Christians say.

Not many there be

Who enter therein,

Only the guests of the

Irishman Quin.

What is it, what is it

But a direction out there,

And the bare possibility

Of going somewhere?

Great guide-boards of stone,

But travelers none;

Cenotaphs of the towns

Named on their crowns.

It is worth going to see

Where you might be. What king

Did the thing,

I am still wondering;

Set up how or when,

By what selectmen,

Gourgas or Lee,

Clark or Darby?

They’re a great endeavor

To be something forever;

Blank tablets of stone,

Where a traveler might groan,

And in one sentence

Grave all that is known

Which another might read,

In his extreme need.

I know one or two

Lines that would do,

Literature that might stand

All over the land

Which a man could remember

Till next December,

And read again in the spring,

After the thawing.

If with fancy unfurled

You leave your abode,

You may go round the world

By the Old Marlborough Road.

 

At present, in this vicinity, the best part of the land is not private property; the landscape is not owned, and the walker enjoys comparative freedom. But possibly the day will come when it will be partitioned off into so-called pleasure-grounds, in which a few will take a narrow and exclusive pleasure only—when fences shall be multiplied, and man-traps and other engines invented to confine men to the PUBLIC road, and walking over the surface of God’s earth shall be construed to mean trespassing on some gentleman’s grounds. To enjoy a thing exclusively is commonly to exclude yourself from the true enjoyment of it. Let us improve our opportunities, then, before the evil days come.

What is it that makes it so hard sometimes to determine whither we will walk? I believe that there is a subtle magnetism in Nature, which, if we unconsciously yield to it, will direct us aright. It is not indifferent to us which way we walk. There is a right way; but we are very liable from heedlessness and stupidity to take the wrong one. We would fain take that walk, never yet taken by us through this actual world, which is perfectly symbolical of the path which we love to travel in the interior and ideal world; and sometimes, no doubt, we find it difficult to choose our direction, because it does not yet exist distinctly in our idea. When I go out of the house for a walk, uncertain as yet whither I will bend my steps, and submit myself to my instinct to decide for me, I find, strange and whimsical as it may seem, that I finally and inevitably settle southwest, toward some particular wood or meadow or deserted pasture or hill in that direction. My needle is slow to settle,–varies a few degrees, and does not always point due southwest, it is true, and it has good authority for this variation, but it always settles between west and south-southwest. The future lies that way to me, and the earth seems more unexhausted and richer on that side. The outline which would bound my walks would be, not a circle, but a parabola, or rather like one of those cometary orbits which have been thought to be non-returning curves, in this case opening westward, in which my house occupies the place of the sun. I turn round and round irresolute sometimes for a quarter of an hour, until I decide, for a thousandth time, that I will walk into the southwest or west. Eastward I go only by force; but westward I go free. Thither no business leads me. It is hard for me to believe that I shall find fair landscapes or sufficient wildness and freedom behind the eastern horizon. I am not excited by the prospect of a walk thither; but I believe that the forest which I see in the western horizon stretches uninterruptedly toward the setting sun, and there are no towns nor cities in it of enough consequence to disturb me. Let me live where I will, on this side is the city, on that the wilderness, and ever I am leaving the city more and more, and withdrawing into the wilderness. I should not lay so much stress on this fact, if I did not believe that something like this is the prevailing tendency of my countrymen.

I must walk toward Oregon, and not toward Europe. And that way the nation is moving, and I may say that mankind progress from east to west. Within a few years we have witnessed the phenomenon of a southeastward migration, in the settlement of Australia; but this affects us as a retrograde movement, and, judging from the moral and physical character of the first generation of Australians, has not yet proved a successful experiment. The eastern Tartars think that there is nothing west beyond Thibet. “The world ends there,” say they; “beyond there is nothing but a shoreless sea.” It is unmitigated East where they live.

We go eastward to realize history and study the works of art and literature, retracing the steps of the race; we go westward as into the future, with a spirit of enterprise and adventure. The Atlantic is a Lethean stream, in our passage over which we have had an opportunity to forget the Old World and its institutions. If we do not succeed this time, there is perhaps one more chance for the race left before it arrives on the banks of the Styx; and that is in the Lethe of the Pacific, which is three times as wide.

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Force and Adoration: Ambedkar’s Maitri

a kumar

Aishwary Kumar

In his final work The Buddha and His Dhamma, Bhimrao Ambedkar returns frequently to the concept of maitri, which he most often renders, for the first time in his essay on Marx, as “fellowship”. “Maitri or fellowship towards all must never be abandoned”, he writes in “Buddha or Karl Marx”. “One owes it even to one’s enemy.” In deploying maitri in such a fashion, translating it neither as friendship nor fraternity, and finding its possibility in the actions of the soldier, bandit, magistrate, and even the executioner, the mature Ambedkar departs from the normative rendering of the concept in two ways. Firstly, he understands maitri categorically as that which refuses the foundational distinction between friendship and hostility. Maitri is a gesture that one makes towards the enemy; as such, it militantly exceeds the moral dictates of friendship and fidelity. In his final years, immersed into formulating a rigorously non-humanist and religious critique of religion, Ambedkar deepens the concept of maitri further, including in its ambit not merely the human but also the animal. Maitri”, he claims in The Buddha and His Dhamma, “is extending fellow feeling to all beings, not only to one who is a friend but also to one who is a foe: not only to man but to all living beings.” Indeed, creaturely life, Ambedkar argues, is most proper to maitri precisely because the normative conception of love (karuna), which human beings express only towards their own species, excludes nonhumans. Maitri, on the other hand, makes both the adversary and animal its intimate subject. It is inclusive in a way that the Christian conception of love is not.

 Maitri too is religious and quotidian. Yet unlike love, which harbors despite its best intentions a sacrificial hierarchy at its source¾ in a remarkable and paradoxical neologism, Ambedkar calls religious love (bhakti), and the love for religion, “life-force”¾ maitri is anti-sovereignty and non-theological. Acts of sovereignty, manifest in the sovereign’s right to take life in the precisely name of keeping life sacred and safe, whose most violent instance is the death penalty, contaminates the ethical force of maitri. Even if it is marked by an irreducible religiosity, then, maitri resists the pernicious onto-theological alliance between religion and sovereignty. It does not take life in the name of keeping life unscathed. Nor does it give life in the name of charity or pardon. Instead, maitri gives life, even to the enemy combatant, in the name of absolute equality, in the name of forgiveness that refuses to be identified as such.

It is this religion without religion that Ambedkar thinks when he recovers the encounter between the Buddha and the dreaded bandit Angulimala in his masterwork. In that encounter, what converts the violent bandit is neither the sudden dawning of guilt upon him nor his momentary exposure to divine luminescence. What converts him instead is the truth manifest in the figure of the Buddha himself.  Only this “love of truth” founds the empirical ground of an egalitarian faith and establishes another mode of belief and adoration, one that exceeds both the religious and humanist conceptions of love. Hence Ambedkar’s perennial dissatisfaction with love, affirmed again in The Buddha and His Dhamma, “Love is not enough. What is required is maitri. Perhaps the proper rendering of what the mature Ambedkar calls maitri, then, is neither fraternity nor friendship, even though he alludes to both throughout the 1940s and the 1950s, but rather adoration; an immeasurable gift of belief and compassion (mudita) across the abyss of species difference.

What does this radical reconceptualization of love, this forceful affirmation of life as such, gives us most to think? What might a “religion without religion”, which would, by its very name, also be a religion profoundly aware of its own ineluctable complicity with force and mastery, call forth? In trying to recover Ambedkar’s moral thinking from normative and humanist histories of equality, my intention here is to simply recall that what is living, what exists, and most ontologically, what is, for Ambedkar, is not that which is same but rather that which is wholly other, wholly unequal, and above all, wholly mortal. In this politicization of finitude, this foregrounding of the knowledge of impermanence (sunnyata), Ambedkar does not valorize death or sacrifice in the manner of a satyagrahi, even though he does not renounce the imperative of war and “general mobilization” either. Instead, he recovers in the consciousness of finitude the possibility of an unconditional and collective sacrifice of interest; a sacrifice from which equality amongst mortals might emerge. Thus, in Annihilation of Caste (1936), two decades before his masterwork, and right in the midst of his critique of the antidemocratic structure of Plato’s republic, Ambedkar had already called equality a responsibility towards the “incommensurable”; a responsibility heterogeneous to calculation, substitution, and measure.

A responsibility, in other words, that mobilizes force- and what is annihilation (ucched) if not a call to force- in the name of absolute singularity, in the name of the unequal’s irreproducible and each time unique birth and death.[1] It is on this affirmation of life amidst life’s impermanence that the mature Ambedkar’s ahimsaic adoration would come to hinge. In this paper, I offer an archeology of this adoration, of Ambedkar’s radical attempt to formulate the conditions of a love proper and adequate to politics. I will not trace the infinite variations in which this excessive love appears in his itinerary, in neologisms such as “love of truth”, “love of politics”, and so on. I will only attempt, in a necessarily delimited fashion, to follow the rhythms and vicissitudes of this adoration, this egalitarian excess, that the mature Ambedkar eventually calls maitri.

Mastery and Measure

 How does the late recovery of adoration (maitri) turn the thread of Ambedkar’s enduring thinking about force? Does the move away from sovereignty lead to its attenuation? Or is maitri itself the maturation of that militant critique of force that had begun to take shape as early as Ambedkar’s Columbia University seminars in the 1910s? Is maitri, by turns and simultaneously, force and adoration, founded in love yet necessarily in excess of it? An excess that Ambedkar captures in his equivocal tribute to Ranade when he declares, “I regard my feelings of hatred as a real force. They are only the reflex of the love I bear”? What kind of love is this? And what would this force, this “real force”, be?

In a remarkable passage in Philosophy of Hinduism that deals with the relationship between force and conduct, the later Ambedkar leaves some traces that we may follow. He compares the instinctive urge to satisfy hunger with the impulse to “forge a weapon against the enemy”. Both belong, he argues, to the order of biological and psychological force, in which the body simply makes movements that it deems necessary to survive. These movements, which might entail violence in that they veer towards killing the enemy or predator, are not immoral. They are simply “unmoral”. That is, they cannot be judged by the established norms of morality at all, for these acts are so instinctive, so incalculable, that they cannot be placed in a world of normative values. They cannot be “compared with others, valued, or chosen”. And yet, even if “governed by forces not as moral in purpose”, Ambedkar says, they are “as valuable in result”. Forging a weapon against the enemy is, thus, an ordinary and originary, indeed a pre-ethical, act. It is unmoral and invaluable because it comes before any measure of moral value, before any judgment of faculty or force has been established. “Psychologically” everyone possesses it; everyone must possess it.

In as much as it is not tainted by the “spirit of retaliation”, forging a weapon¾ that most ancient and originary movement of the hand¾ belongs to the order of quotidian and egalitarian force. It is not chosen, it is given equally.[2] Never does Ambedkar­- and we see this emerge in the most militant fashion in Thoughts on Pakistan- attenuate the significance of passion and mastery, of competition and honor for democracy proper. Instead, he renounces hostility precisely to reclaim the equalizing possibilities opened by war in its purest and most ethical sense. Maitri is another name, then, for love that is founded in difference, in an ethical and transformative violence even. It is a passion for that which is equal, if only because with it one shares one’s own finitude and anxiety, and in the final instance, one’s nothingness. Each time singular, maitri is inalienable yet shared, given to mastery and equality alike. Inasmuch it does not renounce difference, it does not give up on honor and competition either. That controversial question in Thoughts, “The Hindus have a difficult choice to make: to have a safe army or a safe border?” marks the founding paradox of that force which will conceptually mature and eventually take form as maitri.

Every now and then, Ambedkar’s conceptualization of force falls into the language of immunity and measure, of spiritual purism and national sovereignty even. Yet by giving it the name of religious responsibility, he also imparts his vision of force an ethical and immeasurable depth. Incandescently announced in the title of Annihilation of Caste, calling for an unconditional destruction of “irreligion”, this force measures itself against nothing but truth. “Religion”, after all, “is concerned with the love of truth.”[3] The annihilator (uccehdvadi) holds itself accountable to no authority or limit. In him, freedom and mastery subsume measure; responsibility comes to be marked by the religiosity of force alone. As Ambedkar memorably puts it, “The moment it degenerates into rules it ceases to be Religion, as it kills responsibility, which is the essence of a truly religious act…I have, therefore, no hesitation in saying that such a religion must be destroyed and I say, there is nothing irreligious in working for the destruction of such a religion.”[4] In sum, annihilating religion in the name of religious responsibility, seeking through immeasurable force what can only be called, thus, a religion without religion. It is the same logic of immeasurability that Ambedkar mobilizes again when a decade later he militantly proclaims, “the slogan of a democratic society must be machinery and more machinery, civilization and more civilization.”[5]

More machinery than whom? Measured against which other civilization? Where is this other democracy? Ambedkar does not say¾ he has perhaps America in mind¾except that this immeasurability is grounded in absolute equality alone. A very singular thought is at work here, one that often gets carried away in the most antidemocratic directions. For in Ambedkar, there are moments when certain forms of masteries, certain variations of the master-serf relationship even, tend to acquire a peculiar sheen of just benevolence, if not equality. But then, that is the very nature of democratic action, the very nature of critique of force, as Ambedkar himself concedes. One can never safely separate its evil from its egalitarian promises. Indeed, only when one is radically possessed by the idea of immeasurability, only when one is unconditionally given over to the emancipatory possibilities of generalized force, that one can write of equality in the manner that Ambedkar writes of it. “A society which does not believe in democracy may be indifferent to machinery”, he claims, “but a democratic society cannot. The former may well content itself with a life of leisure and culture for the few and a life of toil and drudgery for the many.” But not democratic society, he repeats. Authentic equality will come, he declares in a dizzying formulation, only “when machine takes the place of man”.[6]

Saving Virtue

This materialist, almost utopian, dream of the automaton appears in the same threshold decade between 1930 and 1940 that annihilation (ucched), with its explicit call for mastery and mobilization, for religiosity and action, has also entered Ambedkar’s lexicon. Nothing that Ambedkar writes in this decade remains untouched by the categories, figures, tropes, rhetoric, and facts of World War. In works that appear towards the end of the war, Ambedkar returns to an intermittent but unconditionally hostile critique of fascism. If his responsibility towards Nietzsche and nihilism had always been marked by equivocation, his repulsion to Nazism’s claim to spiritual mastery remained unambiguous. It is suggestive that Ambedkar’s most explicit attempt to rescue Nietzsche, the latter’s ethical nihilism even¾ by which he simply means Nietzsche’s capacity to understand the immeasurable virtuosity of force¾ comes in Philosophy of Hinduism. And this equivocal defense is mounted precisely as a critique of those who, in their petty understanding of mastery, have extrapolated and vulgarized Nietzsche’s thinking of force. Of course, Ambedkar clarifies

It is not difficult to see that his philosophy can be as easily applied to evolve a super state as to superman. This is what the Nazis have done. At any rate the Nazis trace their ancestry from Nietzsche and regard him as their spiritual parent. Hitler has himself photographed beside a bust of Nietzsche; he takes the manuscripts of the master under his own special guardianship; extracts are chosen from Nietzsche’s writings and loudly proclaimed at the ceremonies of Nazism, as the New German Faith. Nor is the claim by the Nazis of spiritual ancestry with Nietzsche denied by his near relations. Nietzsche’s own cousin Richard Ochler approvingly says that Nietzsche’s thought is Hitler in action and that Nietzsche was the foremost pioneer of the Nazi accession to power. Nietzsche’s own sister, few months before her death, thanks the fuehrer for the honor he graciously bestows on her brother declaring that she sees in him that incarnation of the Superman foretold by Zarathustra.[7]

Yet precisely because of this vulgar filiation between philosophy and street politics, Ambedkar sees in fascism’s will to mastery not a love of Nietzsche, nor a fidelity to force, but a betrayal of adoration. How can people who shamelessly consecrate an all too human thinker be authentically Nietzschean? Hitler is a perversion- Gandhi will terrifyingly say exemplary- of what Ambedkar usually associates with “direct action”. This perversion contaminates the equality that might have been accomplished in an authentically fought war.[8] Fascist action, given over to idolatry, bust-worship, and ceremonial politics of the street¾ hence, Ambedkar’s comparison of the “gangsterism” of the Muslim League and Hindu Mahasabha with the NSDAP¾ destroys the purity of war.[9] Adoring Nietzsche, fascism attempts to annihilate tradition, seeks to break away from religion, tries to gather unparalleled technological energy in the interest of national reparation, and fails. Nazism, then, is repulsive not because it is nihilistic. Instead, it is a colossal failure because it is not properly, ethically, forcefully, annihilative (ucchedvadi).

Ambedkar himself is scrupulous in his reading of the Anti-Christ and Thus Spoke Zarathustra; rigorous in distinguishing Nietzsche’s own faith from the unfaithful interpretation of his lovers; careful to mark out one Nietzsche text from another. Accustomed by now to being misunderstood by followers and antagonists alike, he is drawn to that Nietzsche who “foresaw for himself a remote public, centuries after his own time to appreciate him.”[10] This poignant line, a direct reference to the confessional sentence that appears in the foreword of The Anti-Christ, also illuminates the mature Ambedkar’s own reconciliation with nationalist grudge over his own mastery of philosophical sources, or as Nietzsche might put it, his “honest [y] in intellectual matters to the point of harshness.”[11] “Nietzsche’s philosophy had become identified”, Ambedkar says, “with will to power, will to violence and denial of spiritual values, sacrifice, servility to and debasement of the common man in the interest of the superman.”[12] It is not Nietzsche himself, not his demand for sacrifice, not his “courage for the forbidden”, not his dream of the Superman that debases force. It is the appropriation of sacrifice by the unfaithful few, paradoxically, that vulgarizes it.

Despite his absolute rejection of equality as sameness, Ambedkar’s Nietzsche believes¾ any philosopher worthy of the name must uncompromisingly believe¾ that at the heart of every revolution there lies the authentic demand for incommensurable equality; that is, equality that refuses to subsume difference. Ambedkar’s Nietzsche, perhaps most importantly, is a thinker of the future, one who “took comfort [and gave Ambedkar some comfort, one might add] by placing himself among the ‘posthumous men’”, and in whose ideas virtue and force were emancipated from their petty cruelties and hierarchical perversions.[13] Even as he finds deplorable resonances of the Manusmriti in Thus Spoke Zarathustra, Ambedkar refuses to deny the genius of Nietzsche’s selfless ambition: conceiving mastery that would be grounded in disinterest (upeksha) and authentic love.

What Ambedkar always feels compelled by, then, is the immeasurable virtuosity of war between those equal in virtue. The promise of equality that comes by way of mastery, even militarized sovereignty, never fails to attract him. This mastery is not of one over another; instead, this is a relational mastery, one that forges kinship between equals. Everyone must equally and dutifully prepare for such an “equalitarian” war. Nonviolence, after all, might be construed as truthful, meaningful in its extra-moral, that is, non-hegemonic and non-normative sense, only when everyone is a soldier, when everyone has the equal right to sacrifice, when each has equally mastered the virtue of selfless war and nonviolence alike. Virtue itself, above all, might sometimes necessitate war. “We wage war, 0 disciples, therefore we are called warriors”, Ambedkar’s Buddha tells his followers.Wherefore, Lord, do we wage war?” they ask him.For lofty virtues, for high endeavor, for sublime wisdomfor these things do we wage war: therefore we are called warriors. Where virtue is in danger do not avoid fighting, do not be mealy-mouthed.” An incommensurable equality then, equality not of measure but of immeasurable mastery: this is where Ambedkar is most Nietzschean, never shying away from virtuous war, never renouncing the ethical value of difference¾ and sometimes competition¾ amongst equals.

 Just Force

If love, freedom, mastery, honor even, are necessarily conjoined, what is, for Ambedkar, mastery proper, mastery that is virtuous and egalitarian? Who is worthy of being such a master? It is that who respects suffering and finitude; who relinquishes civility (vinaya) not even in war; who renounces transcendence for a scrupulous ontology grounded in the unequal’s quotidian and unspectacular mortality alone. Thus, fascism’s spectacle of spiritual ancestry contaminates what might have been its authentic “leveling force”.[14] Let us briefly pause here, on this term “leveling force”, which is a singular way of describing equality, of thinking equality as an extenuation of force. In a vertiginous formulation, Ambedkar describes “unfettered slavery”, that is, the equal right of everyone to own slaves, as an “equalitarian principle”. As long as everyone is a master, as long as one class (Shudra) alone is not enslaved and devoid of mastery, slavery retains its “leveling force”. Barely three passages earlier, Ambedkar had already declared, “In short, justice is simply another name for liberty, equality, and fraternity”.[15]

Now the problem of whether general slavery, while it is certainly egalitarian inasmuch everyone can be a master, is also just, Ambedkar does not resolve. However, it is clear that for him equality within the system of generalized slavery ensues from the fact of equality in virtue. Everyone, without discrimination although not without competition, is seen as equally deserving of having property. Which means, rather than being grounded in charity or compassion of one dominant group towards another, general slavery universalizes¾ no, radically frees¾ responsibility and even maitri. Each touches another freely; each is obliged to another; each defends his neighbor equally; everyone and not the benevolent abolitionist alone are equally responsible for freedom. Everyone, above all, is righteously and legitimately armed. Only in this mastery can authentic nonviolence and love of equals take root.

Assuming there is a grievance, assuming there is consciousness of grievance; there cannot be a rebellion by the lower orders against the Hindu social order because the Hindu social order denies the masses the right to use arms. Other social orders such as those of the Muslims or the Nazis follow the opposite course. They allow equal opportunity to all. They allow freedom to acquire knowledge. They allow the right to bear arms and take upon themselves the odium of suppressing rebellion by force and violence. To deny freedom of opportunity, to deny freedom to acquire knowledge, to deny the right of arms is a most cruel wrong. It mutilates and emasculates man…The Nazis had indeed a great deal to learn from the Hindus. If they had adopted the technique of suppressing the masses devised by the Hindus they would have been able to crush the Jews without open cruelty and would have also exhibited themselves as humane masters.[16]

This is a giddy passage. After all, there is something peculiar¾ something given over to violent measure¾ in a critique of cruelty that nevertheless redraws the world according to a hierarchy of sufferers whose fates, Ambedkar knows fully well, are equal only in their incommensurable suffering. Why this resort to a hierarchy of incommensurable sufferers and unequals? Does such a hierarchy not reduce equality precisely to that which Ambedkar abhors, which is measure? Why does the untouchable have to be the most sovereign unequal, most unequal amongst the world’s unequals? What is at work in this contamination of Ambedkar’s immeasurability, his pure ethics, by mastery and measure?  There is, beyond doubt, a strain of radical conservatism in Ambedkar’s itinerary; one which is often compelled by a vision in which nothing seems more degrading than being banished from the world of senses, barred from light and touch, consigned to shadows and corners. In a fragment of his autobiography composed a few years before Auschwitz, Ambedkar speaks evocatively of his life in a dungeon, away from humanity and light, in the company of animals alone. And this was no incarceration or confinement of the Nazi type. This was life, ordinary, routine, solitary, often homeless, and marked by sleeplessness and death, right in the heart of modern India.

We will have to let go for now this singular moment in Ambedkar’s itinerary of the self¾ indeed that which becomes the very ground of his radical selflessness (anatta)¾ for another occasion. Here, let us only mark that it is this experience and the plea for its singularity that aggressively shapes Ambedkar’s comprehension of suffering of those distant from him in time and place. And yet, while the demand for incommensurability sometimes forces him into seeing elements of freedom even in Roman bondage in ways he finds unavailable to the Hindu untouchable, while it forces him into remorselessly describing even slavery as a “vague gift” for the slave, it is also his intimate knowledge of servitude and confinement that enables him to recover from the Jewish migration from Egypt an exemplary religious force. A militant extenuation of force, a general mobilization of virtue on industrial scale, then, will have always mediated Ambedkar’s religiosity. A revolutionary and ethical violence will have, in his eyes, never compromised his nonviolence (ahimsa). In Ambedkar, religion and machine, maitri and force, faith and knowledge, often cohabit, inseparable yet heterogeneous to one another. For what Ambedkar calls the love of truth is also a certain adoration of force, an affirmation of life in the right to mobilize. Perhaps that is why in The Buddha and His Dhamma, it is the aporetic and sacrificial figure of the soldier that returns most often as the exemplar of maitri, as the true affirmer of species life as such.

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Aishwary Kumar is assistant professor of intellectual history and political theory at Stanford University. The essay first appeared in Seminar 641, January 2013.


[1] See Ambedkar, Annihilation of Caste, in Babasaheb Ambedkar: Writings and Speeches (Govt. of Maharashtra: Education Department, henceforth BAWS), Vol. 1: 60.

[2] See Ambedkar, Philosophy of Hinduism, BAWS, Vol. 3: 82.

[3] Ambedkar, Philosophy of Hinduism, BAWS, Vol. 3: 86.

[4] Ambedkar, Annihilation of Caste (Jalandhar: Bheem Patrika Publications, 1936), 87-88

[5] Ambedkar, What Congress and Gandhi Have Done to Untouchables (Lahore: Classic, 1977; originally published 1945), 295. [Emphasis added]

[6] Ambedkar, What Congress and Gandhi Have Done to Untouchables, 295.

[7] Ambedkar, Philosophy of Hinduism, BAWS, Vol. 3: 74-75.

[8] “Direct action” is one of Ambedkar’s most insurgent and prolific expressions. See for one example, Ambedkar, Essays on Untouchables and Untouchability: Political, BAWS, Vol. 5: 375.

[9] Ambedkar, Pakistan, Or the Partition of India (Bombay: Thacker & Co., 1945), 260.

[10] Ambedkar, India and the Prerequisites of Communism, BAWS, Vol. 3: 117.

[11] “These [with courage for the forbidden] alone are my readers, my rightful readers, my predestined readers: what do the rest matter?¾ The rest are merely mankind.” Nietzsche, The Anti-Christ, (London: Harmondsworth, 1968), 114.

[12] Ambedkar, India and the Prerequisites of Communism, BAWS, Vol. 3: 117. [Emphasis added]

[13] Ambedkar, India and the Prerequisites of Communism, BAWS, Vol. 3: 117.

[14] Ambedkar Philosophy of Hinduism, BAWS, Vol. 3: 26.

[15] Ambedkar Philosophy of Hinduism, BAWS, Vol. 3: 25.

[16] Ambedkar, India and the Prerequisites of Communism, BAWS, Vol. 3: 126-27. [Emphasis added]

Justice in a Landscape of Trees

Rajarshi Dasgupta

Homeward Bound
How does a call for justice appear? When is such a call thought justified? Standing at the crossroads of 1947, as colonial rule came to end in south Asia, the Indian Left had coined a slogan: yeh azaadi jhoota hai, this freedom is lie. But the reasons did not seem very clear to them. Sixty years after, writing in support of a nuclear treaty with the US opposed by the Left, the editor of an English daily recalls how the nation was let down at the very moment of independence. Why, we may even like to think of it as a crime, throwing our hard-earned nationhood into question, is that what you call justice? The point is that such moves are always difficult to justify as they pass through the nation state towards a wider field of ethics, coming to it in response to the violence and injustice that underlie our nations. Thanks to a rich body of scholarship on the partition and refugees, today we have come to recognize the enormous carnivorous sacrifice that made India, Pakistan, Bangladesh, possible.But perhaps we have never really understood how displacement has made the very ground of the citizen subject unstable and shifting in south Asia, turning freedom into a violent force of individuation and justice already into an object of loss.

It is here that an exercise of moral freedom runs into conflict with juridical propriety, where the everyday subject of experience is unplugged from the abstract citizen. In order to grasp this uncommon thread of moral freedom, we must listen to the narratives of displaced without the rush to formulate them into a rights discourse, which cannot afford to pay that singular attention required of justice in this case. My paper contends that there is a terrain of justice and moral freedom, pressing for critical recognition in the ideas of home in refugee discourses, which cannot be assembled in a talk of pure logic, but enjoys the felicity of a poetic narration. We can observe here certain forms of subjectivation of the displaced, where one need not construct the reality as it is framed in law, but as it ought to be, framed ethically, overriding the law. We shall see how this implies an escape from present – a flight into the past, as well as, a return to the responsibility of future. In this way, such exercise comes to involve a back and forth movement of thought, holding the current state of affairs against an imagined horizon of infinity, in order to judge the truth, as it were, in other times and places. The texts selected here chiefly illustrate the making of this different awareness of time and place, where moral freedom does not mean ensuring entitlements, but the performance of certain critical modes of subjectivity. In a way, this stages a trial of the modern subject on the margins of the global capital that is producing new ways of thinking about oneself today.

Perhaps, it is impossible to keep in mind the historical contingencies of our freedom and respond to the query of why that freedom was untrue or inauthentic to some of us. As recent debates in political theory indicate, there is a danger in underestimating the reality of nation state in south Asia, divided on religious grounds, bordering unfriendly governments, territorially binding on people, rent apart with a seal of finality. Yet, there are overlapping surplus of disturbing memories, as there is a daily traffic across the borders of commerce and human relations, and adamant claims to belong elsewhere rather than the permissible place, which practically spells a gnawing disquiet for the region’s law and order. The displacement needed to carve up the nations and citizen subjects seems to have produced a call for justice at the very heart of the question – where should one belong, regardless of our lawful habitations, as a free subject. The examples we will look into here deal with this very theme of belongingness: how the subject of displacement needs to belong and wants to recreate a home, despite its impossibility in the strict sense of the fact. I hope the analysis will give us a clear idea of an impossible homeward bound-ness, performed through narratives that carry the sense of justice in a way that cannot be legally enforced but invested obliquely, ethically and aesthetically, although not without a sense of irony.

Here we may see the ideas of home in the shifting invocations of a territory – an ancestral village very often, sometimes a keenly contested terrain of politics and history, as well as, where I will focus, at times, an elemental, enigmatic site of nature. Rather than a culturally particular location, we need to think of morphologies here, in keeping with what geographers treat as a conceptual space, we may call these invocations a theoretical landscape. Of course, there would be proper names to such places in some discourse, for a historian like Dipesh Chakrabarty, talking about this particular revisited village, or a poet like Jibanananda Das, meditating on the flora of that specific district in undivided Bengal. But we are not exactly interested in the physical-geographical locus of stated individuals in this paper. Instead, we think that despite the names of such places in memory one cannot be restricted to a solitary archive only, which holds the census and administrative data about a place. There is a sense here of other kinds of archives that record and relate differently to the sense impressions and ways of representation in the testimonies we are about to judge. The paper suggests that in keeping the interpretive possibility of such landscapes open to universal implication, we take up a difficult and challenging labour of reading. And that is the only way to understand the political aspect of what leading scholars are happy to knock down as aesthetic parley rather than engaging reality. There is no doubt that the morphology of landscapes often involve a glossing over the questions of property and class, which makes the labour invested in land invisible to the scenic representations of nature. Landscape is, after all, as Henri Lefebvre and Denis Cosgrove have pointed out, along with David Harvey, a commodity, as well as an ideology referencing material form. But let me insist that there is a void that cannot be subsumed entirely by the analytic of property, and there is an economy of restraint and excess that relate to the ideas of home and justice especially for the refugees. This is what we shall chiefly discuss here. Let me admit, however, that there is a complex dimension of collective memory and forgetting involved here whose implications are beyond our immediate scope.
In particular, this paper will draw your attention to three key aspects of a theoretical landscape. First, although entirely textual, one of the most striking features in this case is the quality of a heightened sensuality, a bit like sex, intensely tactile, optic, aural, but also with a feeling of watching a tableau passing us by like a float on republic day parades. This could be a refraction of how it looks everyday with the regular stuff that we find masquerading as hyperbolic or elemental inside a text, like a robust sensory encounter but wholly predicated on words. Such words conjure the picturesque – an intense and vivid scenery, shot with desire and warmly imprinted in the body as an archive, which gives out anew the signs of aroma and noise, old and new shapes, sending the warmth of information to our fingertips. In other words, as the examples will make it clear, theoretical landscapes carry out a practical demonstration of the archival experience of a body. It is at once a solitary body that is hypothetically free from the marks of gender, race and nationality, actually plastered on it, and a body that must make sense of the other bodies surrounding it in society without prejudice. The perception of this form of embodiment follows from standing before a breathing geography, inviting anyone that approaches a place with a home in mind, ready for endless anecdotes at every recess.

The second key aspect is that such theoretical landscapes are often digressive and chiefly anecdotal in character, working in some sense against the grain of received historicity. On the one hand, they involve telling us stories as a basic mode of experience, giving rise to unseen community of listeners, who are invited to share the ethos of a place without occupying the same place or even the same language. On the other hand, the gesture of narration brings into play all possible and traditional structures of narrating available to a certain performative context. These narratives may turn out from scientific to fabulous with as little pause as they take in turning from a terse moral deposition to that of telling a politically incorrect joke on the side, even saying completely outlandish things. They include anything that is not attached to a direct claim of historical truth as a necessary condition, for engagement. There seems to be a very different principle of believing in these stories precisely because they stand for what they cannot represent – the incalculable questions before justice: what is living; is life infinite; what is truth. Aware of these philosophical limits of representation, theoretical landscapes pull out from games of truth and enter un-dogmatic games of narration. This does not imply that truth becomes anything hereafter. On the contrary, it means that truth is not everything, like facts, nor a definite property ofeverything, like value, but perhaps more like a middle ground, which holds up us with our ideas but also outlives our intelligence, like a forest of symbols.

The third vital aspect I would like to highlight here is the evocative symbolism of theoretical landscapes, particularly the use of a natural-metaphorical figure like that of trees in the cases below.[1] However strange it seems as an object of knowledge to a social scientist thinking of justice, let us recall there are classics of anthropology entirely devoted to the symbolism of trees, which cover an astonishing range of ground from the Ndembu tribe’s rituals in Africa to Judaic and Christian theology of the middle ages, from the importance of woodlands in Victorian Britain as property and sign of improvement, to the tree as a pictographic metaphor of natural liberty in Thomas Paine’s The Rights of Man, which spilled into newspaper cartoons of the nineteenth century. Indeed, the political and economic significance of trees in Europe like that of oak and willow should hardly need elaboration, providing the basic inputs for trade across oceans with strong wooden ships and accurate compass, with the evangelist cross and later, cricket bats. But the tree has enjoyed no less felicity of investment in the narrative and symbolic repertoires of south Asia, which would be pointless to catalogue here in-depth. The case of Nammalvar, the ancient Tamil poet, is an appropriate example. “According to historians, Nammalvar was born into a peasant caste (vellala) and lived from approximately AD 880 to 930. Some would date him a century earlier. Although the facts are hazy, the legends are vivid and worth retelling. According to these latter, he lived for only 35 years. He was born in Tirukurukur (in Tamil Nadu), into a princely family in answer to their penance and prayers. When he was born, the overjoyed mother gave him her breast but the child would have nothing of it. He uttered no sound, sat if seated, lay if laid down, seemed both deaf and mute. The distressed parents left the child at the feet of a local Vishnu idol. Once there, he got to his feet, walked to a great tamarind tree, entered a hollow in it and sat like a yogi in a lotus posture, with his eyes shut and turned inward.” It is from here that he would later pour forth more than one thousand hymns to Vishnu, which became the famous Tiruvaymoli, hailed as “the ocean of Tamil Veda in which the Upanishads of the thousand branches flow together.”[2] There are many similar examples where the arboreal metaphor of tree combines with traditional modes of knowledge on the one hand and where it offers an imaginative clue for interpreting nature and language in modern imagination on the other hand. But the crucial question for us is the uncertainty of its status in a discourse on history, politics and justice. I would like to point out in this regard that, in between the famous Bo tree of Buddha and the cosmic tree of knowledge in Indian mythologies, we must not forget the charged subtext of the metaphorical poison-tree of Bankimchandra Chattopadhyay, which was recast by the poet Samar Sen to represent the roots of middle class radicalism mired in colonial education. As we know, the metaphor of poison-tree was employed once more by Partha Chatterjee to talk about the problem of historical difference in the modes of nationalisms in the south. But then what has the metaphorical use of a tree got to do with substantive issues of politics and, in this case, the question of representing justice? I would like to address that question here, together with another question raised by a recent insightful work on the Pakistani middle class – who says that nationalism was all about producing the citizen subject? This paper tries to offer another category – of home, to reopen the horizon of displacement before the realm of citizen subject. As the examples will bear out, there are three different notions of home that will emerge below, which are convenient to plot in grammatical terms. Briefly, they are as follows: first, the ablative, from where one hails but cannot return; second, the locative, where one finds oneself in the middle of a journey; and third, the accusative, where one would like to arrive in the end.[3] The invocations of landscape in the examples below not only instantiate these different notions of home, but also show how we travel towards them, circulating between the registers of a community locus and individual passage, in ways that confound our usual understanding of citizenship.

The Vanishing Trees

There is an intriguing anecdote about a tamarind tree in the ancestral village of the historian Tapan Roychowdhury. The incident took place around the time when Fajlul Haque was leading the Krishak Proja Party which headed the first provincial government with the Muslim League after the Congress had refused alliance. The Raychowdhurys were the jamidar of mouja Kirtipasha, close to the elite and nobility of Bengal. Two of the author’s uncles, principally talented in spinning tall tales, were living in London, from where they sent the telegram: “Stop felling tamarind tree. Letter follows.” The entire village was taken aback. The resolve to fell the tree was made only a few days back – the first chop had barely landed. How did the boys divine this information? The market was agog, mulling over the riddle. The people eagerly gathered at the chandimandop; when the letter arrived and read aloud. It said the brothers had retired to their respective lodgings in Gower Street at late night, when they had the same dream about the same fellow at roughly the same time. The subject of their dream was an old friend, Chhontu Pal, a good for nothing fellow who died a week back. Again, the brothers did not know this – Chhontu had told them he has taken up residence in the tamarind tree. However absurd, it obliquely echoed with receiving divine instruction in dreams – swapnadesh, and the folklore that the aristocracy in phantom society, chiefly, the departed brahmans can become attached to certain trees they frequent in this life. Although Chhontu was an addict and no brahman, the tree was spared. Slowly, it became a holy shrine worshipped in the entire district. “Blessed be the country”, Roychowdhury quips, “which has such a tree.” [4]

The first line of the novel Khoabnama by Akhtarujjaman Ilias says: “Oi jaigata bhalo kore kheyal kora dorkar” (It is necessary to take good note of that place). This line is the key to the entire novel – space is the central problematic of the story.[5] The task of the novel is to flesh out the life-world and the history of an erased location, to produce a different idea of people and geography that pushes against the impersonal narrative of nation and the abstract locality in our conception. The writing thus resembles archaeology – new layouts emerge like anthills under anonymous, sedimented surface of events. Written in 1996, Khoabnama unfolds a space that also belongs to dreams – certainly for the father of Tomij. The old man walks in his sleep on the banks of Katlahar bil, to the north of which stands an old Pakur tree. The old man hopes to catch a glimpse of Munshi Barkatullah, follower of Majnu Shah, the leader of sanyasi-fakir rebellion of the eighteenth century, who is believed to possess the tree. Because he is insane, the father of Tomij has a delirious sense of time; his past and present collapse. He makes it a sacred duty to guard the Pakur tree, the birikkho, which is in danger of losing its place that dwindles with every flood and new habitation. Ilias expressed similar concerns in another equally famous novel, Chilekothar Sepai, written in 1986. There we hear about the ancestral land of Boiragir Vitey and the two hundred year old banyan tree spreading over more than three bighas of land – creating a maze at the centre of which is a hollowed trunk, where Majnu Shah used to counsel with Bhavani Pathok, a rebel leader figuring in Bankim Chandra Chattopadhyay’s novel Anandamath. But unlike the printed text of Anandamath, which erased the Muslim fakirs from the account, and rewrote the unrest as against the Muslims, Akhtarujjaman’s stories are oral and vie for other kinds of evidence. The banyan tree and the Pakur tree are resources of such evidence – they are seen as local murubbi – the wise counsellors of an enchanted place. Yet, when the father of Tomij finds the Pakur tree gone one day, the village headman doubts if it was ever there.

The characters of the autobiographical novel Bishadbriksha initially refuse to be part of the refugee exodusof 1947. The account takes it as a time whose damage is still distant in coming to the periphery. The author, Mihir Sengupta, talks of a location where the displacement is prolonged over the next decade. He describes the everyday life of a Hindu family in the quiet backwaters of East Pakistan, as if the partition had not taken place, not where they lived anyway. This idea of ‘where they lived’, where the author continues to live in his thoughts, and which does not leave him insofar he must have a sense of his roots, even if he now lives in West Bengal, is a chronic motif. Mihir repeatedly refers to this place, a local landscape, a sleepy hamlet in the district of Barishal, with two recurrent features: the pichharar khal or the flowing canal running at the back of their ancestral home; and the two raintrees, that gave the novel its name – bishadbriksha. Both of these give a centre of gravity to the landscape, with a cluster of Muslim peasants and low caste Hindus, stringed around the Hindu upper-caste household, to which the author belongs. The novel painstakingly remembers the steady decline of this family: the moral degeneration of patriarchs; the collapse of emotional ties; the waning of merry rituals; the auction of extravagant furniture, the flight of women, and finally, the poverty which forced the author to a life of manual labour. But this remembrance is underlined with an interesting affect. The author’s emotion in relation to this unfolding tale of loss is decisively that of becoming a free man – free from the fake aristocracy of worthless fathers, from the dubious respectability of feudal vestige, and free from the pretension of coexistence in a divided society. Now alienated, the writer finds serendipity; he encounters marginal people, especially women, and chance relations teach him new values, creating a different worth of the self. This liberated self likes to recall the funny episodes, the comedy of the bhadralok, the incredible tales and family follies, and the vulgar argot of everyday life. These reveal a complex practice with history, which I leave behind, to fasten your attention to an aspect of the author’s agency. As a subject of partition, Mihir Sengupta abandons the impulse to blame, both the alien regime and the communal hatred intrinsic to this or that denomination. If anything, he takes upon himself the responsibility, for the transition from a community life, with memorable moments, love and pleasure, to other emergent configurations. As we know, Mihir Sengupta migrated to West Bengal, and is now settled in a suburb of Calcutta, after his retirement. But there is a deeper sense in which the rain-trees keep shadowing him.  Although it is impossible to retrieve the life whose destruction he patiently recounts, he keeps mourning the absent matribhumi, through its catalogue of sky, river, vegetation and soil, which gather in the tree, waiting for a melancholic meditation, naming the novel, Bishadbriksha.

We need not see these instances as revealing a fundamental opposition between collective life and individualistic existence, as one is often led to believe. It is of course tempting to distinguish these modes of thinking in terms of an underlying antagonism between sociologically discrete subject positions, like the tension between an apparently traditional peasant mindset and that of a modern urban person. In terms familiar to political theory, such difference might be translated into an opposition between a community and an individual as the competitive locus of thinking about rights. However, what I would like to underscore here in the following examples is the complicated enmeshing of community and individual in the experience of displacement and aspiration for belonging. Let me introduce you to those troubling instances where it is increasingly difficult to sustain any singular subject position, or any pure mode of understanding in self-articulation. As we shall see, the invocations of a theoretical landscape in these cases dwell deliberately in a language that participates in idioms outside the rational self, dovetailing existential elocution with a framing that is mystical and bordering on insanity. This is where the aesthetic dimension takes on added valency, for it carries the duty to insert moral parameters into the dominant mode of reasoning, in short, the task of creating a new consciousness that imagines outside the present and beyond the foreseeable future. That is to say, a consciousness in touch with a horizon ever receding, undoing the sovereign weight of utility with a question undoubtedly more fundamental – what is that principle of relationship one seeks to establish in belonging.

Aesthetics of Infinity 

The excerpts below are taken from an autobiographical fragment, about the life and times of the intellectual Ahmad Chaffa in the late twentieth century Dhaka. A different landscape surfaces here, cramped with urban housing, small, rented flats coming up in purana Dhaka, snatches of academic life in the Curzon Hall and Jagannath Hall andthe staff quarters of Dhaka University, and newspaper offices bristling on the Tipu Sultan Road. Trees are everywhere, a mystic obsession with Chaffa.

An idea has been taking shape in my mind since many days. Allahtayla has activated a part of his secret power in the life of the trees. This is why some day humans have to approach the tree for shelter. If man does not bow down to trees, his very life-force conspires against his life. Imagine how intelligent Allah is. The simple life that flows through trees has a definite resonance with the heartbeat of man … A man can create a relationship with trees the way a man creates a relationship with a woman. But what kind of man? The one who believes with his heart and soul that trees also have a living persona, like any other animal … a house where I was tenant previously had an open courtyard. The owner had planted a guava and lemon tree there. A spray of madhobilota was happily growing on the iron-gate. When I came to this house, I thought I should leave a sign of my living here by planting one or two trees. I usually plant a tree or two where I go. There is no noble design behind this. The innocent desire to live in the memories of men drives me to do this time and again.[6]

This was then in some ways a methodical madness, which sustained parallel worlds for internally displaced postcolonial intellectuals like Ahmed Chaffa. As a counter-part to his urban existence as a man of letters and radical persuasion, here was an entirely different world he would happily be sharing with the children, with a parrot he carried, when he wandered like a fakir on the streets of Dhaka, walking through its avenues blooming with flowers that delighted him and trees he loved talking to. But he was also afraid of turning mad like Sarodababu, a Hindu schoolteacher in Chattogram.

Sarodababu used to go mad for a period every year. His madness would begin with the advance of winter. … In the beginning when the signs of madness surfaced, Sarodababu used to tell me that he understood the language of trees. But the problem is that the language of trees and the language of human beings are not the same. When he converses with trees in their language, he still remembers the language of humans. That is when things start becoming confused, that is, he is forced to become insane … He used to often tell me he would teach me the technique of talking to trees. Trees do not respond to everyone’s call; not everybody will understand their language. The power to understand this language does not come without a particular kind of purity of mind. Sarodababu used to think I have the capacity to talk to trees, though it did not mature.[7]

The question for us is this – how do we think of these relationships when we think of the abstract figure of citizen subject in a language of secular liberalism, civil society and democratic institutions. I hope it is sufficiently clear by now that the question of relationship is absolutely central to the affect of belonging and longing for a home of the displaced. Whether or not one is mourning the ablative home from a locative perspective, one is always looking at an accusative moral horizon, across the future. But in the process one also loses the language and sensibility that is needed to interpret these relationships as the principal ground for conducting life in a way that embodies justice. It demands a manner of reasoning that must seek its passage again through the embodied experience of the world, not for housing and emplacing a population, but for a home for the uprooted traveller, a place premised on relationships. Let me conclude this with a passage written by the painter Paritosh Sen, reminiscing about his ancestral land in Bangladesh.

Our village in Bangladesh was dotted with numerous ponds, lakes and canals. The rivers were not far either. During the monsoon, each home became an island. We had to row our little dinghy to visit our neighbours and to buy provisions from the market-place …

Whenever my mind travels back to my boyhood days in the village, an abstract picture painted somewhat in the manner of Mark Rothko, appears before my eyes. Slabs of all possible shades and tints of green, ranging from the silken blackish-green of the neem leaves as the morning light filters through them thus, making them gleam like the green crystals of a chandelier. Or, fading into the turquoise green of the floating water hyacinths in the evening. It felt as if the whole village had just had a dip in a pool of green light. Indeed, at times the sun itself appeared green.

On the north-eastern bank of the large pond situated at the far end of our home, where we did all our bathing and washing, stood a giant Arjuna tree (Terminalia Arjuna), rising nearly one hundred feet and dominating the entire landscape. It was so huge, so dense, that it seemed like a small forest. Its thousand branches spread like outstretched arms in all directions. Its majestic height dwarfed every other tree in the village. Its powerful build, magnificent proportions and statuesque three-dimensionality were reminiscent of the monolithic ninth century Jaina figure at Saravanabelagola in Mysore.

Did anybody in our village have any idea of the age of this Arjuna tree? … It had such an air of eternity about it and it seemed to proclaim, “I was, I am, and I shall ever be.” The Arjuna tree was a world in itself, as living and eventful as the human world, if not more so. It gave shelter to countless birds, reptiles and insects of every description. They seemed to be so happy living there that they would not exchange it for any other place in the world.[8]

It is in this sense of home that freedom was betrayed in 1947.

What is that mode of thinking that the figure of the tree presents to us? Let me clarify that the distinction I have tried to point out should not be confused with the standard oppositions between individual and community, between peasants and urban middle class, or between pre-modern and modern sensibility. I believe we are looking very much at a modern phenomena, arising out of the postcolonial experience of displacement, which produces a form of subjectivation fundamentally concerned with a critique of the subject of bourgeois liberal humanism. How does the tree constitute thinking against the grain of such a subject? I would like you to imagine for a moment we have attained the ‘purity of mind’ Chaffa talks about. Let us pretend to experience like him that trees are like animals with living persona, talking to each other in a language we understand well; while we observe another set of creatures, making frantic sound and gestures we vaguely recognize as human beings. This coming closer to the tree is about taking lessons in different techniques, of surviving, watching, witnessing, knowing the soil, branching and spreading out, being in touch with the simple life inside, like the heartbeat. I think we may recognize this in terms of a completely new orientation to life and politics, where one learns to think of oneself as part of an entirely new kind of complex that is manifold and one patiently works everyday like an ethos to realize that freedom is an ethical practice of living with the other. What kind of man is that? To recall Chaffa, one who can create a relation with a tree like one creates a relationship with a woman, of that kind where power must give way to love.

——————-

[1] Introduction to Hymns for the Drowning: Poems for Vishnu by Nammalvar, translated from Tamil by AK Ramanujan, New Delhi 1993.

[2] I am grateful for this theoretical scheme of home to the philosopher Arindam Chakrabarty.

[3] Tapan Raychoudhury, Romanthan Athoba Bhimratiprapter Parochorit Charcha, in Desh, Sharodiya, 1992 (1993) See the section on ghosts, especially, pp. 50-1.

[4] See in this connection Denis Cosgrove and Stephen Daniels (eds.) The Iconography of Landscape: Essays on the symbolic representation, design and use of past environments, Cambridge1998.

[5] I am indebted to Sibaji Bandyopadhyay’s reading of Ilias in Bangla Uponyase Ora’, Calcutta: 1996. See especially Khoaber Ratdin.

[6] Ahmad Chhafa, Pushpo, Briksha ebang Bihango Puran, Dhaka, 2002, p. 15. This was taking place around “the beginning of August in 1980. I was sure after paying a visit to the office of the newspaper Ganakantha in Tipu Sultan Road that it was going to die. So much of effort and labour is going to waste. I begged with so many people, asked for money from so many … what is happening is what is bound to happen. Tomorrow the representative of the toiling masses will be committing a suicide. Like the gooey mud left behind after the flood, all the mud-slinging, disbelief and doubts have started coming to the surface after the initial rush of revolution.” p. 19, ibid.  After this Chaffa started cultivating aubergines in the campus of the Dhaka University hostel, teaming up with children, tilling and tending vegetable gardens, discovering an experienced cultivator in Maulvi Abdul Quddus, a lecturer in the mathematics department, and making fun of the tie-clad Dr Khairul Millat, who on seeing Chhafa tilling land, would lecture him on wage, labour, and profit.

[7] Ahmad Chhafa, Pushpo, Briksha, pp. 53-5

[8] Paritosh Sen, A tree in my village, National Institute of Design, Ahmedabad, 1996

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Rajarshi Dasgupta teaches at Centre for Political Studies, JNU.

Good Reasons (HUG Fiction)

Anil Menon

Imaginative resistance. I’d heard the chilly phrase for the first time, just a short while ago, in one of New York Public library’s cavernous lecture rooms. Yet it already feels familiar, as if the phrase had always been in my possession. The speaker had been a philosopher of literature from Harvard, one Doctor Tamar Szabo Gendler.

Imaginative resistance, she said, was the unwillingness of readers to imagine morally deviant fictional worlds.

I had been so busy wondering if readers could be, would be, so perverse, I almost didn’t recognize the man in the elegant overcoat outside Macy’s on 34th.

‘Humbert!’

‘Indeed,’ says Humbert Humbert, smiling in that cautious way he has. ‘Cof­fee?’

He doesn’t introduce his young companion. The look they exchange is appar­ently an instruction, because she disappears into Macy’s. There is something about her mouth’s appealing pout that invokes clenched fists and crumpled white sheets.

Over coffee, I tell him about fiction and imaginative resistance.

‘Sounds like a medical term,’ says Humbert, ‘an absolution for cures that fail to cure.’

‘Dr. Gendler’s given a name to one of Hume’s puzzles. Hume claimed that a story can do a great many things, but it cannot persuade a reader that an immoral fictional world is right. It seems there’s a fundamental unwillingness.’

Humbert considers my claim. His fingers grip his cup formally, as if he were drinking tea rather than coffee.

‘Unwilling? My dear fellow, an author seduces. What is seduction without unwillingness?’

‘Let’s not shift topics. Consider this two-line story: In killing her baby, Giselle did the right thing. After all, it was a girl.’

Humbert smiles. ‘And?’

‘Well, which reader will find that story morally acceptable?’

 

1

‘Trivial. I imagine Giselle has some horrid, extremely painful disease, pecu­liar to women. Alas, it is also transmissible and incurable. Why shouldn’t she kill her baby? After all, it’s a girl.’

Even if morality was necessarily independent of the imagination, Humbert went on to say, that very necessity could be used to unbutton the reader.

I remain unconvinced. ‘Let’s try another. Imagine a deviant, a connoisseur of innocence. Nymphets, perhaps.’

He waited, eyes glittering.

‘Now imagine a story in which a nymphet’s mother knowingly gives lodging to the deviant. I dare you to find it moral.’

Humbert puts down his cup. ‘Yes, readers must be dared. I claim it is an allegory about a God, a deviant serpent and a curious child-woman; to wit, Genesis, chapter 3. Didn’t God know what would happen in that Garden? Yet, millions find the tale quite moral. Imagine that!’

His claim had a certain piquancy.

‘Perhaps God’s Hands were tied.’ Humbert has the air of a man nursing a personal sorrow. ‘What must be done may be forgiven. Who cannot forgive necessity?’

It was a Valentine’s day morning, happy, pure, a premature Spring morning on which anything could be forgiven. His companion smiled and waved at us through Macy’s glass windows.

‘She’s in there supposedly to buy me a card, but I imagine I’ll end up buying her a hat. She’s developing quite a passion for hats.’ Humbert sounds resigned. ‘They grow up so fast these days.’

They do indeed. I remember we talked of other things. Teaching. Transi­tions. Raising teenagers. We shared many interests, Humbert Humbert and I. Yes, yes, I’ve heard what people say. I imagine he had good reasons.

- The End -

Anil Menon worked for about nine years in software before wising up, he says, about easier ways to write fiction. His stories can be found in a variety of magazines and anthologies. His novel The Beast With Nine Billion Feet (Zubaan, 2009) was short-listed for the 2010 Vodafone-Crossword award and Carl Baxter Society’s Parallax Prize. [He can be reached at iam@anilmenon.com.]

Fairly Directly to Death


Prasanta Chakravarty

Stanley Cavell’s magisterial memoir Little Did I Know, Excerpts from Memory (Stanford University Press, 2010) begins by telling us that his will be a story of the detours on the human path to death: “…accidents avoided or embraced, strangers taken to heart or neglected, talents imposed or transfigured, malice insufficiently imposed, love inadequately acknowledged.” These he has authorization to speak of.

In a way it is a story of embracing a certain blindness—like the agnostic philosopher and musicologist Vladimir Jankelevitch who would not listen to German music or mention German philosophy. It is like keeping one’s eyes closed and moving through a familiar room in order to imagine what it would be like to be blind so that one is able to tiptoe back and forth between remembering and forgetting.

Forgetting and acceptance does not mean that the disagreements with the alleyways of life are now agreed with: it means finding a further life—in the practice of philosophy. Philosophy then, is often an abstraction of autobiography. So, Cavell reminds us, how Wittgenstein would habitually think and share ordinary language, not advance theses in philosophy. Philosophy, like autobiography must be for everyone and no one—as Emerson in his notebooks or Wordsworth in The Preludes allude to us.

This attitude, this discriminating posture, would seem pretentious to those who write out of a sense of a history of oppression. Not enough representative of culture or race or sex, it would seem. What then is Cavell doing as a Jew? His Jewishness—always marked a tinge sharper in America, in growing up in the East side of Atlanta and then in Sacramento, in his obligations to Semitic purity, his explorations of the subtle biases in European philosophical tradition, are not matters of cultural identity, he tells us, but “identities compacted in my existence.” As he thinks about identities and scruples of purity he simultaneously wonders about his sedation and isolated concentration of lights in the midst of a complicated recent heart procedure, and speculates, might we not all be headed for exciting interplanetary travel? And yet Cavell humbly underlines that his words can be at best excerpts from an American academic’s life—alternating between the common and the singular.

In a book peppered with dazzling encounters with some of the sharpest minds of the 20th century, two men stand out. One is the philosopher J.L. Austin. And the other, Cavell’s father: “We see our fathers naked. We men,” Cavell would confide,  as he painstakingly details his old man’s  ruthless melancholia and acutely vulnerable Jewish relationship to a new country and what he has bequeathed to the junior—dispassion and attachment in equal measure. A bereft and incoherent professor, unsure in things he ought to be an authority on, as we espy quite early. But beneath the raw murmurings and unbridgeable rancor also lie a subtle bond of empathy, like when the unschooled, pawnshop-owner father takes the son to a manufacturer of academic robes when Cavell prepares to defend his doctoral dissertation. It was a private ceremony and the rigorous philosopher, from a distance, wonders about the requirement of such ceremonies in our lives: “Ceremony in human existence is no more measurable by its utility, though philosophers seem to sometime argue otherwise, than the possession of language is, or living in common; you might as well argue the utility of possessing a human body.”  And once, when Cavell asked his mother why she ended up marrying his father, she replied, “He is a serious man.” Her silences, Cavell tells us, when not terrifying, were often golden. At its profoundest, this journey of a book is about silences and postponement and the price we willingly, knowingly pay for these decisions. It is a mad world, my masters!

And it is these that have always driven Cavell to his readings.  The kaleidoscope of subject positions and the inexhaustible joy in trying to relate to those take Cavell to intellectual inquiries. He wonders about Thoreau acquiring wood for his new cabin by destroying the old shack and recalls a particular passage from Wittgenstein’s Philosophical Investigations. ‘our investigation seems only to destroy everything important,’ but insists that he is ‘destroying nothing but houses of cards.’ But if the world remains, as it is, pointlessly, what counts as defense against another’s moods?

Between these bouts of inwardness, Cavell narrates some exuberant and universal teenage moments too—his awkward awe and sleeplessness at spying a local beauty, naked in a local performance rehearsal, his brave 1935 apple-green Oldsmobile coupe, high school bowling matchups—sometimes played for money, his music band and music album collection that he so treasured and then let go. There is this hilarious anecdote about his own precociousness as a kid as his teachers tested him on skipping him to the second grade a year earlier. After the teachers finished testing Cavell with a string of questions and making him do things with blocks, he shot back: “You have asked me a lot of questions. Now I am going to ask you a question. What is the difference between a hill and a pill?” To his bemused teachers who had no clue whatsoever, after a brief pause, Cavell coolly informed—“A hill goes up and pill goes down.” When he came out, he told his mother that his question was not good enough since a hill could both go up and down. There is a sense that this precociousness, and a keen sense of it, was both a source of pride and perpetual misery to him and to his close ones.

While in the hospital after a road accident he felt like Proust’s narrator describing his stages of awakenings! Are accidents, unlike events, disproportionate to causal causes, of threads forever lost? But then he wonders whether accidents, encounters, excuses and misses could at all happen after cell phones. O yes, they could indeed, “what if the cell phone melts or a goat eats it.” Things will continue to happen comically, at unripe times, in the wrong tempo. It is in these circumstances that Cavell recalls one of his rich and admired uncles who gave some worldly-wise advice: “Don’t concern yourself with what you hear about anti-Semitism. Just be three times better than your competition and you’ll be all right.”

Music is a religion, outlasting Judaism and Socialism. (There are two other religions in this book—Eros and Philosophy). But he spends a lot of time narrating his interest in the extraordinary ordinariness of music—a metaphysical world that suffuses his material conditions of living. Helps him keep his head above water. Outside of academe. But sometimes with academe. A young miner in the North of England, Cavell recalls, became enamored of classical music and would whistle snatches of it as he went to work. An old miner provided him with a further education: “You ought not to whistle Beethoven when you go to the mine. You hear the whole orchestra when you whistle. What the rest of us hear is only your whistling.”  And Ernest Bloch in Berkeley gives Cavell and his graduate classmates a glimpse of what it meant to be an intellectual and an artist at the same time. There is a touching exercise in the economy of music when Bloch tells his class and then goes on to demonstrate how conducting is just clapping when the conductor gives the clue. The rest is detailing. Years later, during the political upheavals of the sixties, Cavell remembers that the same Bloch had said to his class: “When the city of San Francisco, for my seventieth anniversary, dedicated a day to me and gave a large luncheon in my honor, I began my speech by saying: ‘This is the unhappiest day of my life.’ ” Such was the stoic power of equitable utopia in music.

Cavell sketches the impetus for his own formidable oeuvre as a part and parcel of his growing up days. The Claim of Reason, for instance, was written from a fear of inexpressiveness and over expressiveness and to discover the role of therapy in philosophy. No wonder, then, that a despairing isolation and bouts of intellectual ecstasy joust for primacy in each of Cavell’s works. One of the important personal and poignant sections of the book is Cavell’s observation of how Jewish pawn-brokers (not unlike Dickens in the blacking factory?)  like his father would often read Chapter 24 of Deuteronomy from the Torah in which laws of usury are promulgated, requiring respect from those who have borrowed along with the law against gleaning, to confess the knowledge that once that whole community was enslaved.  This taught them to take the pledge of pawning almost as a therapy. This poetry of uneasy redemption and grace are the first suggestions that lead to many others about the deeply therapeutic role of philosophy—and Cavell is not sure whether philosophy is supposed to provide you with any answers.  But it is for this spiritually divided selfhood that young Cavell got attracted to Thoreau’s Walden, as he wondered how a work so clearly and incessantly written to highlight the economic dimension of human existence is also so deeply reflective. Was the writer of Walden influenced by German idealism, then?

Pawn shops and old school salesmanship also meant a knowledge of elaborate codings and decodings, before the days of computers, and that meant a spirit of the wanderlust—driving him towards riddles and poetry in philosophy. This double vision of philosophy, sometimes competing—between moral claims and the wandering/wondering spirit—leads to a certain discomfort as Cavell encounters two books( A.J. Ayer’s Language, Truth and Logic and Charles Stevenson’s Ethics and Language) early on,  that ‘reasonably’ claimed that moral judgment is, at its best, an expression of emotion meant to move and persuade. Is this like reporting a lost and found dog—the aim of moral philosophy? And what about wonder—how do we learn to inject desire and disturbance in reflection? Wonder means something opposite to teaching and instruction—and Cavell wonders about the point of speaking altogether. Is it worth it, to open one’s mouth? This question suffuses the opening essays of Cavell’s first book—Must We Mean What We Say? And he acknowledges his divided allegiance to moral philosophy and its uselessness at various points: “Perhaps this texture of fear and constricted knowledge, with its anticipatory echo of the endowed Chair of Aesthetics and the Theory of Value I occupied at Harvard during my last decades of teaching amounts only to some private joke certain lesser gods are reduced to telling one another.” Once his teaching assistant remarked that when logic got really interesting and powerful it left natural language quite behind, which was too hopelessly vague and ambiguous to serve as a medium of serious philosophical analysis. Cavell was disappointed. Academia is also another form of nomadism as one evolves and shifts gear, and also as one’s students get dispersed to the winds after companionable labour and nourishing conversations. Consequently, Stanley Cavell’s universe is marked by a certain restiveness (what he calls ‘random extravagance’) along with intense philosophical professionalism. So, we see someone who consistently argues for an ethical compass jumping headlong into music and performance in the black Tougaloo college in Jackson, Mississippi during the restive sixties and transfiguring Harvard philosophy classes by including Marx in the syllabus.

One comes across a few choicest anecdotes and insider stories of the Atlantic academic world during the second half of the twentieth century. In 1963, when Cavell meets Bernard Williams for the first time over dinner at Princeton, Williams informs him rather quizzically about how the cold and ‘insufferably dogmatic’ Austin pushed his Oxford graduate students and younger dons to read Cavell’s early essays, who bristled at the thought of reading philosophy from another fellow graduate student and an American at that!

Then there is the legendary music teacher at Berkeley, Marjorie Petray, who wishes to test Cavell by asking him to play for 60 seconds Liszt’s D-Flat Fantasy impromptu and at the end of it, turning to the class, remarks: ‘Isn’t it fine to hear a man’s touch at the piano?” That daring invidious compliment lead to an adolescent crush as he looks for excuses to be in the magic presence of this ‘full woman.’ He begins to think about Tannhauser’s curse—whose singing attracts the passion of women, and to each of them he comes to sing the wrong song or sings wrongly to each. Only one woman successfully intercedes for him, once for his life, once for his redemption. Marjorie Patray committed suicide, leaving two children and a rich husband.

Cavell fondly recalls how Terence Malik, whose academic major was philosophy at Harvard and who was actually immersed in Heidegger and in films, of course. Such sharpness of mind and the quick daring of considering Heidegger a philosopher at Harvard will not go down well, Cavell feared, with his external examiners. But Malik was unmoved, and began instructing his instructors instead. His grades ensured that even if he failed in the interviews, he would still graduate with the highest honours.

Or one of those stories expatriated Harvard graduates like to tell to convey to the less fortunate the unrivaled swank of Harvard that Cavell tells us with some irony. “After dinner, around the fire in an adjacent common room, George Santayana was talking with a few of us carefully but effortlessly well-dressed young men, and asked us: ‘Can you read Goethe in German, Dante in Italian, and Lucretius in Latin?’ No one claimed to be able to read all three. Santayana replied: ‘I too am very ignorant.’ And then added, ‘Not that ignorant.’

The other one is about Thomas Kuhn, who after a late night drink or two with Cavell, blurts out with a tortured look: “I know Wittgenstein uses the idea of ‘paradigm.’ But I do not see its implications in his work. How do I answer the objection that this destroys the truth of science? I deplore the idea. Yet if instruction and agreement are the essence of the matter, then Hitler could instruct me that a theory is true and get me to agree.” Cavell’s reply I cast as follows: “No he could not; he could not educate you in, convince you of, show you, its truth. Hitler could declare a theory to be true, as an edict. He could effectively threaten to kill you if you refuse to, or fail to, believe it. But all that means is that he is going to kill you; or perhaps kill you if you do not convince him, show him, that you accept and will follow the edict. I don’t say this is clear. But it is something I cannot doubt is worth doing whatever work it will take to make clear.” Kuhn’s reaction was startling. He rose almost violently from his chair, began pacing in front of the fireplace, and as Cavell narrates, muttered something like, “Yah. Yah.” What causes conviction? What, perhaps rather, may undo an unnoticed conviction?” After that night both arranged to meet for lunch and regularly discuss ideas which would later appear as The Structure of Scientific Revolutions.

In a manner, Cavell’s book is the quintessential tale of the immigrant in America. And ruthlessly introspective, as the best of such tales have always been. He reminds us that while United States is a synonym for chauvinism, America might not be (patriotism has become a maggot in his nation’s consciousness). Has this something to do with US’s chronic skittishness about philosophy and original intellectuality? A typical example is the writings in the New Yorker which share a particular claim to sophistication among the literary and the tasteful class. And yet, Cavell tells us how he came across an essay on Emerson on his two hundredth birth anniversary by the celebrated John Updike, who was able to, and willing to, string out a list of careless and banal criticism of Emerson’s pretensions, but unwilling to explain subtly and accurately by contextualizing those very sentences. Cavell asks: Who was Updike protecting? What public service was he thereby performing? It is this cultural dispensation, of hasty and gleaming smartness, that Cavell has been cautioning us in all his works. As he sums up: “Snobbery readily presents itself as a form of tastelessness manifested by those with some real taste.”

In a brief spurt of inspired wonder at the relationship between poetry, philosophy and more practical activities, Cavell recalls Wallace Stevens’ and Santayana’s repeated claims upon philosophy and asks why The Magic Mountain might open with the question ‘What is Time?” He responds to Stevens’ claims of virility in poetry by considering Euripides’ Hippolytus, as a study of the dangers of promising and Racine’s Phedre, which is about the treacherousness of speech.  Poets have to risk both—accept the promise of poetry before they can withstand consequent prophecy/poverty and contest with monsters the right to assert their own language and imaginative cosmos. In the background is Wittgenstein’s famous tag at the end of Tractatus: “Whereof one cannot speak, therefore one must be silent,” which was in response to Nietzsche’s admonition at the beginning of his second volume of Human, All Too Human, “One should speak only where one must not be silent.” But when a culture unnoticeably learns to read and converse silently, its implications are vast.  Cavell’s own literary-artistic sensibility was largely guided by his discovery of writers of stories, like Saul Bellow, Isaac Rosenfeld, Bernard Malamud, Robert Warshow and the likes of Kafka and Mann. The legacy, for which he is permanently grateful, he calls non-Stalinist socialist aspirations living somehow with a commitment to high modernism. But he was often bored in literary theory and psychology classes, which seemed formless and far too uselessly abstract. In this case he had to be partisan:  “…in both psychology and literature classes, names of members of the philosophy department began to be invoked by students asking the most interesting questions…” But this reaction comes from an intense love of art, not dismissal. What he dismisses is pedantry. Without fail.  Cavell, in continuation to a rare tradition in philosophy, has always sought philosophy’s rapprochement with art, two ancient rivals: “I am not willing just to say that Shakespeare, Racine, Dickens, George Eliot, Ibsen, Proust, Kafka, and so on evidently know intuitively what philosophy responds to conceptually. These writers also evidently respond conceptually.”

Music is a constant presence and so are films. As he writes the musical score for a professional production of King Lear (songs, fanfare, tuckets, alarums, storm effects and a concluding dirge), Cavell underscores the fact that to imbibe theatre’s intellectual ambience means not only a familiarity that exceeds mere literary study but also the enlargement of scope, because a production systematically and explicitly demands the exercise of imagination, articulation, interpretation, surprises and mood. Cavell is inordinately happy when his Cities of Words gets mentioned by two reviewers in connection with the film Eternal Sunshine of the Spotless Mind. That some of his works are long forgotten save a specialized readership and yet are referred to in relation to this film or that composition makes it still alive and pertinent. Similarly, a publication of a collection of essays Contending with Stanley Cavell, on his works, with his responses in it, makes him pleased as a peach. We observe, to our utter delight, how common our humanity is actually—with its similar worries and fears, its stubborn foibles and tribulations.

At one level the book is also about academic institutions. And at a time when institutions are being undermined and faculty humiliated by all kinds of high handedness, certain observations demand special attention. Like when he observes in general how “Large and ambitious universities are on average probably no less complex, and no subtler, at making decisions about hiring and promotion, and generally no more or less rational in evaluating and balancing talent and productiveness and promise and reputation and loyalty and simple affection, than law firms or insurance companies or sports teams. It is true that the latter have measures of winning and losing apparently more objective (cases handled successfully, policies written, league standings) than universities do. Yet one imagines universities to have the freedom to be better, at once juster and kinder and more imaginative.” At several points the book reminds us how lectures need not necessarily be displays of individual accomplishment rather than invitations to participate in professionally working things through and how graduate students ought to be regarded as participating in a common enterprise with their professors. Cavell, ever so persistent in highlighting the kind of seriousness that academic pursuit demands, is at the same time ruthlessly dismissive of academe’s false pretences. To the popular adage meant to explain the compounding decline of an academic department’s importance, or perhaps to decry a new appointment to the faculty: “Second-rate people like to be around third-rate people. First-rate people like to be around first-rate people,” Cavell has to say this: “Do first-rate people speak so—except in their fourth-rate moments?”

And a very touching, poignant episode comes late in the book that shows how this man thinks about the academe. Gilbert Ryle comes to Harvard, and among other things, gives an informal lecture in the students’ common room. As Ryle holds forth, a senior Harvard faculty, Henry Aiken, arrives volubly drunk and creates a commotion. A student host takes him out and just as Cavell was thinking the situation was well handled, the student returns and takes his place again near Ryle. When Cavell asks the student later about why he would leave Aiken to his disgrace, he said he did not wish to miss the lecture. This sets Cavell thinking about the level of refinement and prestige that moral philosophy has achieved these days. And a consequent casualness in everyday actions: “A talented teacher to whom you owe gratitude for repeated past kindnesses, and whose disgraceful conduct will be underscored by the consciousness of your rebuke, deserves better of you than being deftly turned out of doors, when the only cost to you to help him preserve a tatter of dignity is the mild disappointment of missing the end of a public conversation.” There is something quaint enough to learn from someone who refuses to recognize competitiveness (or moral stinginess) where it entails a lack of respect. The way to make winning pertinent, or rather irrelevant, is to win in such a way as to be beyond or outside evaluation.

There is an important section towards the concluding part of the book which shows how vexed and attracted this professional philosopher is towards French post-structuralist writings. On the one hand, Cavell is moved intensely by intentions of exchange and challenging claims in philosophy. The whole point of doing philosophy is a right to confront (“…a confrontation that draws blood, or stops or boils or cools or heartens it.”) and examine each other in our daily existence. This is a rational position. On the other, he is profoundly disturbed that philosophy has put a distance between itself and theology. This leads him to Lacan and Blanchot who feel that human beings are made so as to bump into each other. Philosophy ought to be the unblushing publishing of one’s guilt within the everyday. And yet that it chronically avoids the everyday is a predicament Cavell painfully confronts. His first encounter with Derrida (with Cavell’s book in hand) sums it up in manner. He can see how both of them are thinking together on the conditions of our existence and yet the ways of this French articulation he cannot fathom. The phantasmagoria of fashionable American espousal of French thought bothers him and yet he walks close to them in every manner. The result is the acknowledgement of a profound conundrum within the American humanities world itself in the last century: “American dispensation of humanities, formed in the absence, indeed the shunning, of the study of philosophy, left it incapable of evaluating claims made in the name of philosophy by philosophers from the other side, whereas professional philosophers on this side were on the whole too contemptuous of these claims to study them.”

This is a book about a way of living. This is also, to a large extent, the inside story of the American academia as it developed in the previous century. And within all this lies the story of the evolution of philosophy. What does a commitment to philosophy look like? With what right, out of what need, might or should a teacher question it? Certainly not by creating works, but by going back over one’s expressions, leaving nothing standing, or perhaps, as Emerson, one of Cavell’s heroes, puts the matter, always just approaching. To trace a path, crooked and unpredictable—that is what has been Stanley Cavell’s aim in this journey. No harm indeed in saying again, It is a mad world, my masters—I speak as a child.

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Links:

Vladmir Jankelevitch, ‘Should we Pardon Them.’ http://www.du.edu/cjs/documents/jankelevitchshouldwepardonthem.pdf

Ralph Waldo Emerson, Complete Works http://www.rwe.org/

Richard Wagner, Tannhauser Overture, http://www.youtube.com/watch?v=cQ2WIUam7Tc

Deuteronomy, Chapter 24 http://www.mechon-mamre.org/p/pt/pt0524.htm

Euripides, Hippolytus http://classics.mit.edu/Euripides/hippolytus.html

Thomas Kuhn, The Structure of Scientific Revolutions http://insitu.lri.fr/~mbl/Stanford/CS477/papers/Kuhn-SSR-2ndEd.pdf

J.L. Austin, Other Minds http://www.scribd.com/jacinto1234/d/63288853-Austin-Other-Minds

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Prasanta Chakravarty teaches English at the University of Delhi.

Moral Economies of Wellbeing

Supriya Chaudhuri

For reasons still unclear to me, I was asked to speak at a research workshop at the Centre for Studies in Social Sciences, Calcutta, on ‘Moral Economies of Wellbeing’. Neither a historian nor an economist, I was ill-equipped for the exercise. I undertook it in the belief that every individual, however unpracticed in the disciplines of the social sciences, should be possessed of an opinion as to what constitutes a moral economy and what is implied by well-being. It is a part of morality to think about these issues, though it may not add to general profit or wellbeing for me to hold forth on them. My reflections are partial and open to revision.

The phrase ‘moral economy’, in the specific context of ‘the moral economy of the poor’, was put into circulation by E. P. Thompson in a famous essay published in Past and Present in 1971. As we know, it was immediately applied to a quite different, non-European setting by James C. Scott in his 1976 book The Moral Economy of the Peasant: Rebellion and Subsistence in Southeast Asia (New Haven and London: Yale University Press, 1976), and it became one of the principal terms in a still-inconclusive debate about the motives of action in market- and non-market economies, as illustrated in a much-cited article by William Booth, ‘On the Idea of the Moral Economy’ (American Political Science Review, 88 (1994) 653-667). It is worth reminding ourselves, however, that the confidence with which Thompson used the phrase was bred of a conviction both that we would understand what he meant by it in his special historical instance, and what it might mean as a term in ethics. Twenty-one years later, at a conference in the University of Birmingham (1992: see E. P. Thompson in Adrian Randall and Andrew Charlesworth, Moral Economy and Popular Protest: Crowds, Conflict and Authority, 2000) Thompson was unable to locate the origin of the term from his notes, but felt convinced that he had coined it as the opposite of ‘market economy’. Yet it had appeared long before, in the title of a book by the American philosopher Ralph Barton Perry, The Moral Economy, published in 1909. Perry, who later came to be known for his support of the interest theory of value, offers in this early work a largely Aristotelian account of the moral organization of life, an ideal oikonomia based on ethical principles, and upon an idea of justice arising out of the reconciliation of the widest-possible range of interests. It may indeed be suggested that our theme today, the moral economy of wellbeing, is sited in the space between philosophy and economics, between Perry’s philosophical account of the good life, eudaimonia, and Thompson’s social-historical examination of the rationale for a form of economic action, the food riots of eighteenth-centuryEngland.

It may be recalled that the controversy around Thompson’s article largely centred on his presumed hostility to the free-market doctrines of Adam Smith, the most important economic theorist of eighteenth-century England, and in fact it is this opposition, between moral economies and market economies, that has largely sustained the debate till the present day. Booth’s article on ‘The Idea of the Moral Economy’, for example, criticizes the notion of ‘embeddedness’ attributed to pre-market economies by Karl Polanyi (in The Great Transformation, 1944), and argues that the principles of contractual exchange in market economies have an equally embedded and moral character. Polanyi’s notion of embeddedness made much of the presumed network of rights and obligations in an agricultural economy where food production and food entitlement, for example, were linked. Booth argued that market economies also have an inbuilt structure of contractual obligations. What is at stake in much of this debate is a certain notion of distributive justice, of justice as fairness: which is why other sections of Amartya Sen’s The Idea of Justice than the one in your reading file (for example, the section on equality and liberty) might have been relevant to this problem. In this respect Sen’s idea of justice owes something to Rawls, whose pupil he was, but it is he who of all modern economic philosophers has attempted most consistently to reconcile justice with happiness. Justice requires, one might say, that a moral economy be directed towards, and be capable of achieving, wellbeing.

I will begin by briefly considering some points in the discussion of justice in Book V of  Aristotle’s Nicomachean Ethics (1129b 3-5) that may have a bearing upon market economies. Aristotle is at this place talking about particular justice and injustice, that is, justice exercised as one virtue among others by individuals with respect to goods such as honour, money and safety. Aristotle makes it clear that in such cases, injustice (adikia) is rooted in greed, the desire to have more than others (pleonexia). If one knowingly contrives an unjust distribution out of a motive of gain, one is adikos and pleonektes, and a society ruled by greed and competitiveness is therefore likely to be an unjust society. Yet it as Bernard Williams notes (in Moral Luck, Cambridge UP 1981, 92-93), Aristotle does not sufficiently characterize pleonexia here: it is, we can see, not in itself a motive, but a product of desire for specific goods, such as honour or fame on the one hand, and money or property on the other. Williams finds Aristotle’s identification of injustice with pleonexia inadequate and wrong (‘a mistake, one which dogs Aristotle’s account’), but it is worth our asking whether this brief discussion does not point the way to a deeper understanding of justice as fairness, and of the distribution of goods as key to our perception of a just society.

The point is relevant to a contrast between moral economies and market economies, though there is, regrettably, no universally accepted definition of the moral economy. If it is a system in which moral predispositions, norms and habits guide economic choices and behaviours, it could be argued (as by Russell Keat and Andrew Sayer) that every economy has a set of moral predispositions governing it, and thus that ‘every economy is a moral economy’ (Keat; building on Booth). Moreover, while Polanyi’s thesis about the embeddedness of economic practices in pre-market societies and the threat posed to such embeddedness by the commodification of labour and the emergence of a market society obviously has important implications for the contrast of moral and market economies, it is equally clear that many practices common in pre-market societies, such as slavery and patriarchy, are immoral in a lay use of the term. One could, further, argue that while market economies are generally characterized as being non-moral in that their operations are ostensibly freed of moral compulsions, the secular sphere in which such economies operate may promote an increased social compulsion to achieve ‘universal’ wellbeing, which then comes to inflect the apparently unregulated pursuit of profit at the cost of others (i.e., pleonexia). Indeed, as many have pointed out, Adam Smith was working simultaneously on his Wealth of Nations (1776) and his Theory of Moral Sentiments (1759; 6th edn. revised 1789), regarding the latter as his more important work, and arguing in it that human beings in their everyday transactions with others develop fellow-feeling and sentiments like gratitude and pity, seeking to regulate their behaviour in relation to the human communities of which they are part. So, finally, should we revive the archaic sense of the term ‘moral economy’, using it simply to describe the just regulation of the moral sentiments, a sort of housekeeping of the self in relation to others, to achieve happiness, i.e. eudaimonia or wellbeing? Which of these meanings are we to choose?

It is no part of my intention here to analyse at length the issues raised in the debate between (say) Polanyi and Booth, or to comment on the correctness or otherwise of E. P. Thompson’s reading of crowd behaviour in the eighteenth century. I offer it as my opinion that one issue skirted by these historians and political theorists in their study of pre-market and market societies is the complicated investment of power in social relations. More attention to existing imbalances in power, both in the ‘embedded’, pre-market network of duties, obligations and needs, and the non-embedded play of market forces, might have produced a more accurate picture of the real conditions of labouring classes, women, disadvantaged groups, non-workers, and so on. This is a point made by critics of classical male political and economic theory such as – very differently – Martha Nussbaum and Mary Midgley.

I would like to concentrate on one idea that seems to be crucial both to a consideration of the moral economy and to the desire for wellbeing, and this is the idea of justice. It is an idea about which everyone, we may say, may be permitted to have an opinion. In his deeply considered response to John Rawls’s A Theory of Justice (1971), Amartya Sen (The Idea of Justice, 2009) has argued that justice is grounded in fairness, but this cannot be a transcendental fairness agreed on in some mythical Original Situation, under a veil of ignorance (as Rawls conceives of it), but a fairness painfully, perhaps inadequately, won from experience and from circumstantial reality. Sen has a good example of the problem of justice in his fable of the three children disputing their entitlement to one flute (one has made it, another can play it, a third has greatest need of its solace). Justice in such a context can only be comparative, not absolute justice: but in an increasingly unjust world, it is the only kind that we can claim with any moral justification.

Our existence in this world teaches us that happiness or wellbeing is not just a matter of moral action or deserts, but a matter of luck, as the Greeks realized when they called the good life eudaimonia. The difficulty of separating the good life from good fortune is acutely discussed by Bernard Williams (Moral Luck, 1981) and Martha Nussbaum (The Fragility of Goodness, Cambridge UP, 1986). That I have the chance to be happy may depend most of all on my station in life, my freedom from disease, my possession of my senses, my safety from enemies. It may also depend on my possession of a moral sense. There is no agreement, however, on the meaning of the word ‘moral’ in moral philosophy (or economy). In After Virtue (2nd ed., Duckworth 1985) Alasdair MacIntyre pointed out that moral terms no longer mean what they did to the Greeks and their immediate successors. To him it appeared that as with other forms of knowledge in the wake of a nuclear disaster, in the case of moral philosophy what we possess are the fragments of a conceptual scheme almost wholly bereft of its past significance. MacIntyre’s philosophical endeavour, therefore, has been to revive a discussion of the ‘virtues’ of Aristotelian moral philosophy, attempting both to situate their meanings in history and to examine what they could signify in a contemporary context. However, the ‘goods’ of life that conduce to wellbeing are not all of them moral attributes. Moreover, one could enjoy a form of happiness (though not the eudaimonia of the Greeks, which is critically connected to moral luck) even when deprived of many of the ‘goods’ of life (thus we could instance the paradoxical case of the ‘happy slave’, or the relative happiness of the poor peasant over the rich merchant). Nevertheless, it is generally supposed that a degree of material comfort and mental sufficiency are necessary to wellbeing. In addition, one must possess the capability of being happy, that is, of recognizing one’s own wellbeing, which many suicidal possessors of the ‘goods’ of life clearly do not do. So the moral economy that produces wellbeing is not simply a matter of the fair distribution of goods, though justice in that respect must be seen as extremely important: it is a matter of the way in which we perceive what we have and how we use it. If wellbeing is to be widely distributed in society, it must depend on a larger social participation in moral norms: in the minimization of harm to others, even if one’s own happiness is limited thereby. It may even take the form of collective participation in social acts of kindness that conduce more to the wellbeing of the agent than of the patient.

In an extraordinary poem written between 1796 and 1800, ‘The Old Cumberland Beggar’, William Wordsworth seems to suggest that community and love are in a sense produced by the continuing abjection and vagrancy of the beggar, who becomes a site for the collective experience of charity, a moral economy based on a paradoxical combination of injustice and altruism. The same idea is suggested in a quite different moral context by William Blake in ‘The Human Abstract’, when he writes that ‘mercy could be no more/If we did not make somebody poor’. Blake’s indignation on this account, like Wordsworth’s interest in poverty and the relation of moral principles to economic facts, make their poetry a subject of deep fascination to social historians like E. P. Thompson and Raymond Williams. In fact any discussion of the virtues, like Aristotle’s account of the pursuit of particular goods, would need to take into account the social context in which they have to operate.

But in the classic contrast between the moral economy and the market economy, Thompson was arguing that the economic actions of the poor are guided by a strong, even if outwardly self-destructive moral sense. He founded this argument on his analysis of the food riots of the eighteenth century, when crowds of poor people not only took enormous risks in resorting to public action, but sometimes destroyed stocks of food in an attempt to draw attention to the practices of hoarders and blackmarketers. Thus his notion of the moral economy of the poor was strictly directed towards an explanation of economic actions which, as he saw it, were founded on a moral schema, a sense of what was just or right.

Amartya Sen’s major work as an economist was conducted with respect to poverty and famines, especially the Bengalfamine of 1943 which he witnessed as a child. It is not surprising, therefore, that his 2009 book The Idea of Justice contains a chapter on famine, significantly titled ‘The Practice of Democracy’ (Chapter 16, pp. 338-354). I think that it is here that he engages, though we may not immediately recognize this, with the relation of moral economy to wellbeing. It is an extreme example, but for that reason one that we might effectively use to state the problem at its starkest. The phenomenon of famine, Sen argues, stands in a critical relation to the organization of political power, to the possibility of asserting a moral claim. Indeed, he argues that large-scale famines are characteristic of non-democratic societies, and that democracy is the condition for poor people to resist state neglect, oppression and tyranny. This argument should be set against Thompson’s analysis of English food riots as expressive of popular morality. Since both theorists are in effect examining notions of justice in terms of a ‘moral economy’, I would like to look more closely at some of the difficulties presented by the latter case, that of the Bengal famine of 1943. Some of those present in this room will remember one of many short stories written by the Bengali novelist Manik Bandyopadhyay against this harsh backdrop, a story with a question in its title: ‘Why didn’t they take the food by force?’ (Chhiniye khayni keno?) The question Manik puts here stands in stark contrast to the behaviour of the English crowd in the eighteenth century, so effectively analysed as an instance of the moral economy of the poor by Thompson. It was rumoured at the time that Jawaharlal Nehru had asked the question: it is repeated throughout the story, as an insoluble problem standing as a block to our understanding of human morals, human self-interest, and the idea of justice.

In the story, Jogi, a bandit-turned-householder who holds forth to the narrator about the famine, comments on the entry of the English word food into common Bengali speech. For most people, he suggests, this lexical acquisition indicated the difference between food as a category, a collection of marketable commodities, and the rice and vegetables that people ate, since Bengalis normally referred to everything that collectively made up the daily meal by the name of its principal ingredient as cooked rice, ‘bhat’. But ‘all the rice and lentils and oil and salt that never reach poor people’s mouths, but simply change warehouses for money – that’s what food is’, Jogi says. For him, food belongs to the market: bhat belongs to an agricultural order where production and consumption are closely linked. All that people needed to survive on, he says, was rice: so why didn’t they take it by force? This is the question (chhiniye khayni keno?) that provides a title to this remarkable story, one of several that Manik placed against the background of perhaps the most decisive event to mould him as a writer – and I do not except the Tebhaga movement, which also cast its literary shadows, for example in Haraner Natjamai and the other stories in Chhoto Bado (1948). ‘Chhiniye khayni keno?’ was published in 1947, in a collection called Khatiyan, but Manik had already devoted many of the stories in the preceding year’s collection, Aj Kal Porshur Galpo, including the title narrative, to the famine of 1943.

The harsh, sometimes polemical realism of these stories can be seen to evidence a kind of representational anxiety, a response, I would suggest, to the pressure of a real event that exceeds fictional understanding or adequacy. ‘Chhiniye khayni keno?’ pushes this struggle for representational common sense, as we might describe it, to the edge of a question that is put to history: why do people starve if there is food before them? The 1943 famine is above all the event that has raised this question, asked at the time by western observers as well as somewhat distanced Indians, and repeated subsequently by sociologists, economists and historians trying to come to terms with the cruelty of the contradiction that history has so faithfully recorded: food in the warehouses, deaths on the streets.[1] The story offers the ex-bandit Jogi’s response, in the form of a rambling monologue framed by the almost silent narrator’s observation of his setting: the hut in which they sit, Jogi’s posture, his wife’s pregnancy, the brief indications of how she survived the famine, her serving the guest with food. The narrative flows, eddies and returns to the question and its answer – or what is presented as Jogi’s answer, for as the narrator tells him, ‘I know what the babus say, Jogi, but what do you say?’

 

The theory Jogi offers is rooted in the nature of hunger itself: the hungry are weak, their physical enfeeblement makes them passive and unresponsive, unable to seek their own recourse. Jogi considers, and dismisses with sarcastic humour, the various other explanations offered at the time: that Bengali peasants were accustomed to starvation (he asks, were they accustomed to death?); that the common people were fatalists, accepting death as their lot (he asks, did they not try to avert calamity if they could at other times?); that they were law-abiding (he says, if you knew you would be fed in prison, you’d try to go there). Only he knows the true reason why people did not resist, he says, and his explanation makes hunger a self-perpetuating phenomenon, draining the body of its will to life. The hungry body eats itself. The narrative presents him not only as a survivor, but as a curious experimenter with history, restlessly seeking an answer to the mystery that surrounds him, the enigma of a population unresisting of its own end. He even attempts to form a gang that will tour the countryside looting and redistributing grain, but his efforts are unsuccessful; he joins the band of the hungry at a relief kitchen, hoping to organize them so that they protest against the watering of their gruel and the diversion of provisions meant for them. When he manages to ensure that their supplies are not stolen and they are properly fed for a few days, they speak of resistance and struggle. But fatally for his purpose, he waits for a few days before leading a revolt, and soon the supplies dry up, the watery gruel reappears, and the inmates return to a condition of listless passivity.

What Jogi observes, what he reports from his experience of the relief camps with their starving men and their women who seek to offer their emaciated bodies in return for food, is like the record of a survivor of the Holocaust, also a strictly contemporary event. And what puzzles him is what might equally puzzle a latter-day student of this other history: the relative passivity, even connivance in their own destruction, of a large populace which submits when resistance could not materially worsen their chances of survival (though, we may note, it might not improve those chances either). Some commentators have likened the culpability of the British government of the time in the deaths of four million people in a man-made famine, to the culpability of Hitler and the Nazis in the murder of six million Jews: indeed there are some parallels, though there are also significant differences in the two events. But both, we may say, weigh human conscience with the same kind of weight: the insolubility of a moral problem that presents itself as a physical contradiction.

In fact there were some incidents of looting and rioting, though limited and unfruitful given the scale of the disaster; the shops were well-guarded, there were troops in abundance, and in the countryside, where the supply-system had almost completely collapsed, large stocks of grain had disappeared. Jogi does not take recourse to these larger forms of explanation. Despite his own willingness to engage in any desperate form of armed resistance or opportunistic self-help, his explanation, such as it is, is rooted in the material nature of hunger. Beyond that liminal point where the body crosses into the exhaustion and physical depletion of hunger, the body is its own food, hunger consumes it like an other, and in so doing it estranges and alienates the self, so that it appears to have no worldly recourse.

The 1943 Bengal famine, known in its own time as panchasher manvantar in reference to its Bengali year, 1350, has drawn an enormous body of historical study, literary representation and economic analysis. No writer who lived through that period failed to comment on the devastation of those years – between 1942 and 1945 – when around four million men, women and children died of starvation in Bengal, though the warehouses were stocked with grain, the government was busily procuring rice, there was a good harvest in 1942 and a moderate one in 1943. I shall not rehearse the variety of explanations for this calamity – or crime – familiar to us from the work of modern economists and historians including Amartya Sen and Paul Greenough: the effects of wartime hoarding and profiteering in rice; the government’s boat-denial and rice-denial policies, aimed at preventing the Japanese from securing their advance westwards from Singapore and effectively destroying the rice-supply network in Bengal; the rural-urban divide; the brown-spot disease; the cyclone; inequality in income and entitlement; the influx of refugees and troops; the government’s procurement system.[2]


 As contemporary observers and later historians pointed out, the event was never officially declared a famine, and the term was avoided in administrative correspondence.[3]


David Arnold and B. M. Bhatia have argued that a number of other, more long-term factors lay behind the extreme vulnerability of the rural population of Bengalto a disaster of this kind. These include an agricultural decline leading to the increasing pauperization of the peasantry and their growing burden of debt; so delicate was the balance between subsistence and starvation that the slightest imbalance could produce a famine.[4] Once Japan had cut off the supply of Burmese rice in mid-1942, and the British government had destroyed or removed boats to prevent enemy advances, thus hindering the movement of supplies, the fear of invasion led to panic-stricken hoarding and massive price rises in early 1943. The weaker sections of the population inevitably suffered most: as Greenough comments, ‘patterns of abandonment began to emerge, marked by the snapping of moral and economic bonds upon which rural society had hitherto been erected’.[5]


 But all these explanations and analyses apart, Manik sees fit to devote his attention to an insoluble mystery at the heart of catastrophe, the inability of human beings to resist their own destruction. The answer that he provides to this mystery is rooted, I would like to suggest, in the most absolute and irresistible of the forms of power to which the subaltern is subject: the physical constitution of the body. Instead of being able to illustrate the moral economy of the poor by demonstrating the instinct of justice through which the poor seek recourse by defying the law and asserting their claim to food, Manik is compelled to record the extremity of a situation where that moral economy fails: or, at least, is inexpressive and silent. In a lifelong effort to explain that moment of failure, Amartya Sen argues that the lack we note here is a political lack: a lack of entitlement, a lack of rights. The insufficiency of the moral economy to right a manifest wrong, its impotence and collapse, might then be traced on the one hand to the triumph of a market economy and on the other to systems of power so deeply entrenched that the body of the subaltern is unable to resist their operation.

Some twenty years after this catastrophic event, the poor did indeed riot in the streets ofCalcuttato protest food scarcities and high prices. The communist poet Birendra Chattopadhyay, born in 1920, a witness to that great famine of pre-independent India, recorded this post-Independence time of dearth in a poem of remarkable economy and power, published in 1965:

āscharjya bhāter gandha rātrir ākāshe

kārā jeno ājo bhāt rāndhe

bhāt bāde, bhāt khāy.

 

ār āmrā shārā rāt jege āchhi

āscharjya bhāter gandhe

prārthanāy, shārā rāt.

 

The strange aroma of rice in the night sky

It seems that some still cook rice,

Still serve it, eat it.

And we are awake, all night

With the strange aroma of rice,

In supplication, all night.[6]


Smell, the aroma of rice, constitutes, one might say, the contested site of wellbeing, experienced in a paradoxical fusion of presence and absence, of satiety and lack. This is not simply a metaphysical enigma experienced by the desiring subject. In the material world that we inhabit, those who eat and those who starve live in the same moment. In the poem, the simultaneity of presence and absence is not to be understood as a postmodernist trope, but as a material contradiction between rice and hunger. The space of this contradiction is filled, we may say, by the strange ‘ascharjya’ smell of rice, as it rises from the cooking-pot to the night sky, but not to fill the bellies of the starving. Smell, the fragrance of food, traditionally described as half the meal (ghrānena ardhabhojanam), is ironically evoked in all its richness and reach to become a figure, not only for dearth, but for an absolute separation between those who eat and those who do not. The admirable restraint and elegance with which this figure is deployed by the old communist poet offers a lesson, we may say, in representational technique: it retains the paradox while at the same time breaking it open.

Moral economies of wellbeing, then, must contend, as Thompson did in that seminal essay of 1971, with the problem of who eats and who starves, and how much energy or liberty we have to determine our own wellbeing and that of others. The moral economy is not simply an account of the moral principles of our actions, the ends that we judge to be necessary to our wellbeing, and the economic structures we endorse. It is finally, in my view, a critical account of power and its exercise, of capabilities and entitlement in the most basic terms. It has to be articulated in terms of those whose power we have taken away, those whose claims we have ignored. For all that the moral economy and the market economy are opposed to each other in scholarly discourse as though they inhabited different moments of historical time, I do not think that this was the point of Thompson’s use of the phrase in his account of the ‘moral economy of the poor’. In the end, I think, I would like to endorse the view of the moral economy as a normative condition, not a description of a past or present society, but something that is a necessary means of our pursuit of happiness.


[1] See, e.g. Subrata Kumar Mitra, Power, Protest and Participation: Local Elites and the Politics of Development in India (London: Routledge, 1992), pp. 175-76.

[2] See Amartya Sen, Poverty and Famines: An Essay on Entitlement and Deprivations (New Delhi: Oxford University Press, 1980), chapter 6, and Paul Greenough, Prosperity and Misery in Modern Bengal: The Famine of 1943-44 (New York: Oxford University Press, 1982). Sen argued forcefully that the problem was caused not by inadequate harvests but by deliberate withholding of rice from the market and putting it out of the reach of poorer consumers. An early account is to be found in Kali Charan Ghosh, Famines in Bengal, 1770-1943 (Calcutta: Indian Associated Publishing Co., 1944).

[3] Sen, Poverty and Famines, p. 79, and W. R. Aykroyd, The Conquest of Famine (London: 1974), p. 78.

[4] See B. M. Bhatia, Famines in India: A Study in Some Aspects of the Economic History of India 1860-1965 (Delhi: Asia Publishing House, 2nd ed. 1967) and David Arnold, Famine: Social Crisis and Historical Change (Oxford: Basil Blackwell, 1988) on the combination of factors behind the phenomenon of a modern famine.

[5] Greenough, Prosperity and Misery, p. 138. Jean Drèze and Amartya Sen, in Hunger and Public Action (Oxford: Oxford University Press, 1989), pp. 48-50, analyse the gender bias in entitlement to food.

[6] Birendra Chattopadhyay, Birendra Samagra [Works], ed. Pulak Chanda and Sabyasachi Deb (Kolkata: Anustup, 1988) vol 1, p. 191. My translation.

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Supriya Chaudhuri  is Professor of English, Jadavpur University, Kolkata.

The Civic & the Ludic

 

 

 

 

 

 

 

 

 

Rajarshi Dasgupta & Prasanta Chakravarty

Abstract

This dialogue, written in 2008, tried to unpack the terms of thinking about the transformations in Indian politics, especially in West Bengal, following the turn of events in Nandigram. It tried to appraise left-liberal issues of governance, and develop new categories to understand some of the forms of resistance at that time. The speakers were also conversing, at the same time, with a shared sense of the changing topography of the political. New kinds of spaces, new practices and interventions, new kinds of concerns were presenting unfamiliar gestures within the familiar structures of power. Things looked new but also disturbing. Much has changed now, of course. The dialogue approaches these questions with three interwoven but distinct engagements: a resurgent conception of ethics, the problems of realpolitik and the political role of aesthetics. The outcome is not a standard article of political science, but a revisionist excursion with a touch of lightness, which raises questions about the desired forms of life and practices in a democracy like India. The discussion tries to go beyond the familiar Marxist and liberal arguments on agency and self and re-frame the role of subjectivity and matter in politics. Keeping the predominant institutional forms of politics like the parties and election in the background, the exchange speculates on the new kinds of political associations and potential communities waiting on the wings of democracy.

 

Hope was twelve hours gone/And frightful a nightfall
folded rueful a day/Nor rescue, only rocket and
lightship, shone, /And lives at last were washing away.

The Wreck of the Deutschland–Gerard Manley Hopkins

Prasanta: Whether the succession of events that have unfolded in West Bengal over the past two year or so, reaching a sort of crescendo in the months of October-November, 2007, are momentous enough to make any tangible difference in the social and political life of the state is still an open question, but going by the sheer volume of protests and the visibility factor, these are extraordinary times.  The processes of institutional politics are still unfolding though, with some interesting results coming up in the 2008 Panchayat elections. Having a long-standing interest in studying left politics in India and thinking about the language of politics in more general terms, I was wondering about your reactions on certain key points that have been emerging since. There are certainly diverse issues of interest involved here, but one important talking point pivots around questions of ethics, or their lack of, in everyday politics in West Bengal.

Rajarshi: It is a testing time for the Indian Left, I agree, but I don’t think it will lead to a change in the power structure or in the language of everyday politics too soon. I also doubt if questions of ethics are being raised directly and pointedly, even if we sense a moral overtone in the indignation of some segments of society and in their unusual modes of protest. This may have more to do with a growing disquiet with our party system’s tiresome monopoly over representative politics, seen as instrumental, manipulative, unsavory and untrustworthy by many. The blackmail of having no rational alternative, flogged by the left, right and centre alike, has narrowed the political space so much that any intervention begins from a place called ‘apolitical’, hence, mistaken as ethical. This doesn’t mean there is no ethical side to what is happening. But I want to be careful in thinking how exactly such dissent is ethical: because it is not political? I will disagree with that. It is useful to separate the ethical and moral here, as the latter has more currency in common sense and what we might describe as the liberal contractual language. Indeed, most party discourses contain appeals to morality: we know their competing notions of virtue and good life; we hear them pledging truth all the time. But the sense of these properties has become a matter of cynic polemic and superficial reasoning, as we know, in such opaque terms that only cadres can administer and make careers out of them. As Nandigram shows, the language of politics has been replete with moral appeal on both sides, yet it sadly remains bereft of justice, tolerance, transparency and equal decision-making to a great degree. Besides, how is the moral lack of a ruling party at all relevant if it continues to enjoy electoral majority? (Should we not consider Narendra Modi’s election as a lesson?)  It seems to me a crisis of the techniques of representative politics, a crisis of the parliament seemingly lacking energy for democratic change, which must be underlined before we discuss the ethical side.

Prasanta: One appreciates your distinction between the moral and the ethical, but in popular imagination one can still see that a language of virtue and conscience being coupled with a scathing criticism of an ossified and dangerous culture of totalitarianism that has become synonymous with West Bengal. It is here that one notices a real possibility: the collective across the civil society discourse and the one around extra-parliamentary political order both would galvanize around the ethical language of virtue and conscience. But this could of course be dangerous. Both these groups have thus can rise, in fact have risen, above the contractual language of moderate mainstream liberalism as well that of official Marxism. There is a sudden and momentous realization among sections of the much vilified Bengali middle class at least, that there is something more to politics and society than the metaphors of merit or equality around which much of our contemporary political discussions revolve. There is some hope but it could be mistaken too. But, I have two questions here. One, what constitutes this new language? And why would this language of virtue itself be not a platform that would demand a certain kind of austerity that would be equally top-down and closed?

Rajarshi: That is the question I have in mind too. What is new about this new language? If we are to go by the discourse generated by Singur and Nandigram’s resistance, we find the traditional Marxist polemic argued in terms of the political economy, coupled with alternative frameworks of development argued in terms of rights and social justice. There is along with this a lonely but steady defense of the so-called ‘non-modern’ ways of life by the likes of Mahasweta Devi, who comes closest to voicing a radical ‘language of conscience’ in this context. But there is also another, ‘modern’ way of life promised by the government and the ruling party, which opposes this language with another call to conscience – to uphold law and order, to see the bigger picture, to ensure ‘peace’, even if one is deeply pained by Nandigram. Now, do you want to destroy the peasants and their way of life at a time when they are starving and committing suicides? Conversely, do you want to condemn a communist party at a time it is fighting the American sway and helping the Congress to keep the BJP at bay? What communists are doing in West Bengal must be balanced with their deeds in the past, and what they are doing elsewhere. Similar kinds of dilemma are rife in the e-mails, entries and exchanges found in the internet about Singur and Nandigram, especially in development-dialogue-blogspot and www.kafila.org. The catch is that if A claims B is no more communist, B already claims that A is anticommunist, and if C says B is undemocratic, D can say C supports violence anyway. And where does our conscience lie? So you will understand if I remain skeptic with regard to a ‘language of conscience’ opposing a ‘culture of totalitarianism’, which has been the language of radicalism for long. There is a tendency in such language to bypass the patient reasoning necessary to tackle the ways of power and the pressing needs of a society. Such a language often voices no more than the ambition of a section excluded from power, without ever saying how it will differently wield if given the power. This is the sense we may get very strongly from looking at the BSP today for instance. Think of the sixties. Are we not looking at a ruling clique in West Bengal that shouted hoarse over violent and unethical ways of the Congress back then? Can we distinguish between the aggressive style of that Congress establishment and that of the CPIM all that much? I think we should be actually asking if a ‘language of virtue and conscience’ can be an integral part of ‘cultures of totalitarianism’, if their opposition is only superficial, if they actually nurse the same kind of oppressive power. Such issues may mobilize both civil society and extra-parliamentary politics but they cannot mean the same thing to those with different stakes in the social order. I agree we have to think about what you refer to as ‘lack of ethics’ in a sense, which has to do with the hypocrisy and deception circulating in the field of democratic politics. For a career in politics now it seems you need a competence bordering criminal – that too on a systematic scale only some parties are able to muster. More than anything, one must have a brutal monopoly over violence like a muscular and aggressive nation state. This is how the US offers freedom to Iraq, how the BJP has ushered growth in Gujarat, how the CPIM plans to bring development to Nandigram. If there is an ethical side to the current crisis it needs to address this powerful mechanism of duplicity globalization has gifted to democratic politics. Though I don’t seriously think a new language of political ethics is emerging, there is it seems a clear exhaustion with the existing one.

Prasanta: One focal concern that you have raised already is the crisis of parliamentary techniques in politics. I underline your use of the word technique, in the sense of craft or art, as opposed to political practice that is perhaps more direct and transparent, shall we say. This particular approach to the political you find fundamentally undemocratic and corruptible. On the other hand, you have implied a few markers or positive traits of the ethical, which could be interesting starting points: justice, tolerance, transparency and equal decision-making. While you are correct in identifying that the language of virtue and conscience have somewhat lost their sheen by repeated and utterly irresponsible usages, I think such metaphors, if wielded carefully, can become powerful political rallying points, and be even consonant with the ethical attributes that you broach. I am referring to a politics of virtue in the deep sense of the term. Let me make myself clear through a distant example. In Kenji Mizoguchi’s 1954 classic Sansho the Bailiff, set in eleventh century feudal Heian Japan, a brother and sister, children of a highly liberal nobleman, journeying to meet their exiled father, become separated from their mother and are sold into slavery. As a political allegory the film raises important ethical questions about Japan’s contemporary social hierarchies as well as about its disastrous military adventurism in the 1930s and 1940s. Seen from a political point of view, the film seems to expound the purest liberalism. Against tyranny it sets law; against captivity, freedom. The story takes place, as the opening caption informs us, “in an era when mankind had not yet awakened as human beings,” and charts rather imaginatively the early stirrings of proto-democratic consciousness. All viewers remember the words that the father teaches his son before being sent into exile: “Without mercy, man is like a beast. Men are created equal. No one should be denied happiness.” And at this point the father delivers this message over a miniature effigy of the Buddhist goddess Kwannon, entrusted to the boy as a parting gift. The film here takes a meaningful ethical turn that takes the ideas of tolerance and equal-decision making above democratic activist politics, as we know it today. For though the message of concern and care is compatible with liberalism, in another way it seems to raise it a notch higher. When the son eventually frees the slaves and resigns his title as a governor, viewers appreciate the full implications of such a virtuous terrain that is also just and transparent. Power and office are mistrusted, sacrifice and simplicity vindicated. We shall come to the relationship between art and politics, especially in Bengal, in greater detail shortly but I want to underline a point right here. Mizoguchi does not sentimentalise his subject and that gives a spare force to his vision that distinguishes it successfully from the morality of virtuous politics that you are sceptical about. I am not for the moment equating Heian Japan with present day West Bengal, but I feel there is a possibility of rummaging and re-discovering a language of politics that can deepen the usual preoccupations of the liberal left—debates on individuality or equality, for instance. One would expect a similar deep sense of virtue from the author of Andher Sparsher Moton (Touch of the Unsighted—Pranabesh Sen Memorial Lecture, 2007), where he highlights, taking a cue from Tagore, a language and tone of calm resolve in our daily social and political transaction that may lead to a poiesis far deeper than craft. May be, in spite of their many differences with Sankha Ghosh, many on the fringes or outside of the parliamentary system and disillusioned with its functioning, will agree on this simple ethics and give it a far more radical but practical political shape in West Bengal rather than fan idioms of retribution and reprisal.

Rajarshi:  Before talking about the ethical side, let me clarify that I am not opposing the word technique to practice, like one opposes artificial to natural. I am only trying to deepen the sense of what practice involves, technique is a way of thinking about that in a more differentiated manner. Also, by justice, tolerance, transparency and equal decision-making I meant the essential values of democracy rather than defining traits of ethical, which we may be approaching differently. Correct me if wrong, but you seem to see the ethical like a near-perfect order – of a subject embodying restraint of being, learning to speak a language of virtue, which everybody from the civil society to middle class, parliament, public, etc will recognize as ethical and protest in absence. I will not deny this, for it will be impossible to communicate without such a language in the first place. But this line of thinking may neglect a most critical aspect of the ethical – an attitude, propensity, craving and movement, against the received ethics of normal, to intensify, to push the ‘normal’ and take it to its limits. This attitude per se may not be linked to civil society, republican values or middle class life, but it must be seen as forging a certain relation to freedom and power. It is difficult to give this a name with positive property; but it is easy to see how it renders an opposing attitude as unethical. The important thing is to understand the source and limits of our dominant sense of the ethical, which turn unethical as these limits are breached, often by minor articulations. I have not seen the Mizoguchi film, but something strikes me immediately about the plot – how virtue or proto-democratic consciousness is highly religious – piety to be precise. It is piety that later transforms into a gesture of renunciation for the son, beneath the secular fabric of the act, valued by radicals, left, liberals and religious believers alike. I have spoken elsewhere about a sacrificing feature of Indian Marxists whose act of renunciation also mobilized a moral authority and likely coercive power, where this gesture gave control over other lives insidiously. Let us ask what a sacrifice seeks to consolidate – is it not a model of life we feel has authority everybody should be subject to? Is it not a new mode of power imposed on the plane of difference and equality? Does it not reduce individual life to an outcome calculus like a function of production? But you are also talking of a deep sense of virtue, which goes beyond petty individual reasoning to care for the others, what we come across in poetic discourses. I agree that a deep sense of ethical can open up new questions; we could talk later about this at more length. But I don’t think it is a case of ‘simple ethics’. Beyond the calm repose, I believe, poetic discourse carries the attitude I could describe as critically ethical, which moves towards a new sense of justice, beyond what is already the law. This operation is by no means simple or natural. It does not want to simply restore by reason a balance lacking in the present, but more to engage the madness to figure out how to cope with the present in other ways. It is a strategic relation with power, rather self-contradictory attack on the monumentality of political event and centrality of the citizen subject. My favorite example is Sa’adat Hasan Manto’s Toba Tek Singh, where the partition of India is taking place inside an asylum, whose inmates are wondering where their native places are going to go; which nation they would not care to join. One man climbs up a tree and refuses to come down; another one cants a parody of nationalist slogans, while Toba Tek Singh dies in a spot in between the two nations. I think the greatness of the story lies in straddling two different frameworks of ethics – the historical one where the nation is a just outcome, but not quite so in another one. There is a third frame here as well, where moral reasoning is made available to madness, where a different sense of justice lurks in the minority, eluding our comprehension. I am interested in that kind of sense of the ethical.

Prasanta: I am certainly not trying to politicize virtue, nor wish to imagine a telos of perfectibility, or flourish. I do believe though that there can hardly be an easy equation between a deep language of virtue and normalcy. I think, and you have noticed rightly, that it is highly unusual and out of bounds for everyday received notions of ethics to inculcate a truly simple sense of everyday interaction. And in this context, I was referring to simplicity, again not in the sense of natural repose but as an attribute that needs to be acquired, honed with great tenacity and practice or sometimes may be epiphanic or revelatory (in a utopian way, not in a divine sense), chanced in moments of inspired dementia may be. Such a revelatory moment may be passing by us in Bengal now. For instance, that the ruling left front lacks transparency in governance and its leaders constantly use political legalese in order to obfuscate issues may give rise to a simple sense of repugnance, which in turn might accumulate into unusual but positive kinds of ethical-political action. In other words, is it possible for the madness of Tek Singh to get translated into something as subtly constructive, and in an equally grand scale, that highlighted his death in no man’s land? The dominant and fashionable sense of the ethical, as I see it, are rather marked by narrow activism or uncritical nostalgia, attributes that erode the possibility of a genuine complex demos. A far-reaching political vision about West Bengal needs to forge such inspired madness with the possible; be conscious and inclusive about its political goals, without letting go off the trace, the residual, the unknowable. Everyone, including the minority, has an investment in such freedom. Everyone, given a situation, an event, may experiment and cross the limits posted by the banal mediocrity of the existing political-economic choices.

Your other query touches a very nodal area in our discussion. The central point about Sansho is not renunciation and sacrifice, which are incidental and only taken recourse to after the political and social acts of an other-regarding nature, of abolishing slavery and feudal excesses, are taken care of. I would, however, be cautious before concluding that such an attitude necessarily stems from piety or compassion, traits that can have distinct patronizing and righteous overtures, depending on the context, and can take us back to what you began by questioning: a vapid moral virtuousness. I could not have agreed more with you that such pursuits for a pure domain of ethics have often quickly led to consolidation of authority. The care that the father-son duo symbolizes in the film, on the other hand, is rather highly political and democratic, so that the materiality of the decisions and gestures are never ever high browed or condescending, never descends into a search for purity. All players interested in constructively radicalizing a polity, not least in West Bengal, could well appreciate this crucial distinction.

Let me now address another of your observations quickly. Like many, I do share your tiredness with the existing language of hypocrisy and deceit that underlines the nation state and what runs as democratic political language today in West Bengal. To take one critique against liberalism seriously, politics is always about understanding and fighting your enemy; it cannot be about consensus building, regardless of the political system. Politics is an art practiced within constant and unfolding anarchy. Guile, deviousness and even violence have been the basis of running a polity in any real sense. Ethics, if deployed at all, has to be discussed within the parameters of the techniques of real politic. The left liberal ideas of stability and progress are mirages, needless obfuscations that distance us from what actually constitutes the political. Are we then sentimentalizing politics by highlighting the luxury of tiredness and ennui? You can see that I am in a sense arguing against myself here.

Rajarshi: I am somewhat interested in the luxury of tiredness and ennui, both as a particular kind of relation to doing things and as a chance to question their meaning. I believe the negativity attached to them has less to do with being human and more with living like a subject made responsible for doing things in a particular way. If the tired runs away from this boring duty, if ennui offers an escape, why not – what is bad about escape? The important thing to see is if there is a sense of responsibility outside an oppressive subjectivity, if it generates new kinds of capacities and possibilities of being, which do not necessarily have to be respectable from our perspective. I think we find strongly competing notions of justice in such ways of being that deceive the normal sense of the ethical, in Foucault’s use of the normal. Our sense of the relation of power and ethics must involve an understanding of the relation of this normal and ethical, how a set of values are allocated through the techniques of governing, how they are modified or displaced by other techniques. Let me give an example. Many perceptive social scientists working on village politics have noted long enough that the same family will distribute its members into supporting different and opposing parties, like diversifying the risk of political investment. This certainly is not the sense we have of political affiliation in the urban middle class families or in the civil society, which is perhaps more uniform. In both rural and urban cases, cadres now oversee the mobilization and the CPIM has the best managerial crop of cadres, with a highly developed surveillance mechanism that tally votes at the household level. It is then all the more intriguing to see how new techniques are emerging to slip through this totalizing mechanism in a way that can disturb our sense of what is ethical. That is precisely the problem of citing a substance as ethical and its absence as lack of ethics right away. We are looking at a shifting ground the moment we step into the political. This shift, which constitutes the new political move, may have acquired three features worthwhile to note: Firstly, it is not about aberration and correction of human nature, like a progressive self-critique of society. Secondly, it is increasingly turning less towards knowledge or an ideological narrative and more towards audacity and taking risk as the crucial political assets. Thirdly, it is becoming attuned to a gaming sensibility with regard to capitalism, which follows but also bends rules in a way that carries a process beyond the intention.

Prasanta: In more radical spheres there is always this issue of governmentality as a by-product of Enlightenment that has to be purged from politics. Existential issues have always been an important factor to the thinking left who have never trusted the ruling party. And yet I have some misgivings. Notice, for instance, Dilip Simeon’s point in a private mail: “It gets more complicated. Cabals always have an exoteric versus esoteric sphere of discourse. In inner circles, they will admit wrongdoing. In public, they might confess to a ‘mistake’. But—and this is crucial—the wrongdoing is always an intellectual error. It is never a moral failure, because Science is beyond ethics, and scientists separate truth and reason from the notion of the Good.”  The basic issue is to question politics as a science or vocation. The whole idea of intellectualism is being shunned as non-ethical, corrupt per se. I find that quite disturbing simply because it might lead to a common sense notion of ethics that will demand a far stringent language of dutiful passivity. I would rather argue for a democratic space where the angst is thrashed out in public, not internalized.  It is interesting to see that that ruling left is now using Vidyasagar, its bete noire for decades, in order to legitimize an anti-enlightenment scheme of accommodating ‘religious right’, after the Taslima fiasco. This is the danger of indulging in an anti liberal metaphor too doggedly. I think, such reactions make it all the more necessary to spell out the tenets of this new ethics that everyone is talking about, so that it is not hijacked by opportunists and right-wingers. What is your sense on this one?

Rajarshi: Instead of opposing in toto it is better to study governmentality, not simply as a product of the Enlightenment because there may be many kinds of governmentality, if that means flexible strategies of rule over a population. But there is a specific subject and specific ways of subjectivation given to a particular system of governance, which we must realize rather than taking subjectivity and governance as mutually opposed terms. In other words, let us not think of looking away from governmentality to existentialism, but look at their conjugation–how certain governments need to create certain kind of subjects. I think that becoming a particular subject is aligned to a kind of docile subjectivation, which is related to being ruled and living in a particular government without any fuss. The knowledge of other forms of governmentality may feed into possible resistance by multiplying the forms of subjectivation, though some might set store with complete ungovernability. This can be the topic of a longer discussion if you want. But I am tempted to read the mail of Dilip Simeon differently, keeping the word ‘cabal’ side-by-side with his gloss on ‘Science’, throwing up a ‘cabalistic science’, of deceptions and subterfuge. This drift is not anti-intellectual or anti-science but opposed in a way to their basic abuse, to collapsing science and ideology in order to justify a Left party’s violence on the peasants, by some Left stalwarts, like Professor Prabhat Patnaik for example. I feel much of the reaction we are looking at is bound to have a neurotic edge, especially for those who have taken Marxism seriously, on both sides of the Nandigram issue. However, Vidyasagar has never been the bete noire of mainstream Left, but of the Naxalites. The CPIM admires the full range of the ‘Bengal Renaissance’.

Prasanta:  This also leads to the question of goodness, and here I think we might agree that there is a large section of people in West Bengal who are strongly interested now more than ever in rising above the contractual language of the market place, the party dictates and the metaphors of ‘spontaneity’ and cycle of violence. What then constitutes a modicum of goodness around which people might feel secure and politically rejuvenated? The question of goodness often inevitably leads to an Aristotelian schema of polis or a Gandhian pattern of austere and self-disciplined life. Do you envisage such alternatives in West Bengal in future? Does such a language of virtuous citizen not clash with the neo-liberal aspirations of the middle class? Also, given that the various political options are not in a terrible hurry in such exercises in ethics, is there scope for pushing the idea of goodness that will have electoral or other fallouts?

Rajarshi: I will disagree with the notion of ‘modicum’ because it reduces ‘goodness’ to the minimum needs of survival – finally a promise, often not kept, of protection against untimely death. It does not extend to what might be called different ‘forms of life’, but makes mere survival the only thing that rights are good for. That is again provided one is capable of wielding the language of a rights-bearing individual and access the law. At the same time, the individual is free to experience the absence or presence of goodness in the place everyone must belong to, the market. And is not the might of modern capital precisely a concurrence of opposites? Does not one miss goodness more in the market? Do we not obey immoral power freely? Let us look around to recognize how goodness can be objectified, into consumption affect and commodity, into wicked and sacred relations, into prosperity and hardship in lifestyle, into the basis of coercion. I think the opposition between the neo-liberal middle class individual and a virtuous citizen stands overstated if virtue is to function as a therapy for individual – a homely supplement to the commodity calculus. Why should we settle for a ‘modicum’ of goodness, when the ethical demand is potentially infinite, as many philosophers point out? Unless we let go the proper subject, the cultivation of a particular personhood, the lifestyle that has it all, the ethical will not come into its own. Can we discover wholly new modes of sociality instead that disrupts the economic use of the ethical of plugging the leaks of individual citizen?

Prasanta: All power is immoral by definition. We must build in that aspect in any discussion on ethics. A classical definition of goodness cannot be too quickly equated with the language of rights and market, as also with therapy, I would tend to think. The votaries of John Locke and Tom Paine are fundamentally different from those concerned with a radical agnostic and heretic demos. The very imagination of the polity in case of democratic agnosticism is other-regarding, to begin with. A certain notion of ethics of religion (non-Kantian) is a strong component in democratic republicanism, rare in moderate- mainstream liberalism. Unfortunately, well-meaning and self-conscious radicals in the subcontinent exploring political novelty routinely conflate the two rather hastily. One must rise above the old commodity argument if we are to act meaningfully against the common economic consensus across political spectrum that threatens us today. This is not to say commodifcation is a bygone phenomenon. Far from it.  I’d begin by bringing back a radical political, rather than submitting to a commonsensical economic definition, (the lifestyle question, as you have put it) of liberalism onto the table. That might seem minimalist to you. But, at the risk of repeating myself, can I ask you about the nature of this infinite that you refer? Contrary to a therapeutic virtue, what would constitute these new modes of sociality?

Rajarshi: I don’t have a ready response to your question as I am still working with these ideas, but let me say how they have a bearing on our dialogue. Who are the ‘large section of people’ you think are interested in rising above the language of market place? How big are they with respect to the people who can’t enter the market or who don’t understand its language, though they are part of the market? Would these latter sections agree with the idea of goodness that rises above the market, and reject the practices of corruption that open up the consumer’s rank? Can we ascertain if they already lack a sense of discipline, if they are seeking a new subjectivity? Unless one assumes a total transparency of representation, and a vanguard sensibility like Marxists, it is difficult to answer these questions. The universality of goodness is conditioned by the particularity of experience in every empirical case, and I don’t think it loses this finite character even if we can reduce it to a common minimum index. Like the idea of ‘population’, that will amount to aggregating ‘individuals’ in such a way as to look at them in a series and therefore without their singularity, without contradictions, transgression or reasoned differences, let alone any sense of outside. There will be some exceptions decided by those who agree on a certain role of capital, certain modes of power and certain ways of living in the society. Is the ethical sustainable along these lines if we take the question of the ‘other’ seriously? Who decides about the inevitability of only certain forms of social relations like the family as legal, the ethnic community as natural and the territorially bound state as democratic? With regard to these formations I would like to invoke other forms of sociality that make the individual volatile and slip into what one could see as the multitude. The multitude is a different concept that cannot be realized around a modicum of goodness or virtue. For it does not suppose a doing subject but a subjectivity of witnessing what are the ways of being different from an individual self. The implication is that we look at lives beyond the pale of self-fashioning, to submit our basis of thinking about ethics to what we have not experienced but are still able to think. Is this not how we think of margins, of difference and others, how we want to be free? How does one think of new forms of sociality with regard to the multitude? It may be a shift to the register one may call minor after the work of Gilles Deleuze. How the minor will relate to new modes of sociality could be taken up later, if you want to separately bring up the relation of politics and aesthetics.

Prasanta: Many insightful commentators are also arguing that Nandigram and indeed Singur are not to be seen in isolation. Rural Bengal is seething with discontent. This could well be a recipe for disaster is the long run—could lead to a spiral of sorts. The ruling party consolidated earlier land based peasant claims and backed these up with sharecropper registration in the state. Land has been an important point in Bengal politics. Yet, an even more fundamental issue has over shadowed the question of land: hunger. The food riots in Bankura and Purulia of the last few months have amply shaken the ruling front. In a recent article, Mahesh Rangarajan has commented thus: “The non-availability of cereals in the ration shops angered large sections in a state where official records show about one in five rural people are hungry or malnourished. This again is ironical for in the 1967 elections that saw the CPI (M) emerge as a co-sharer in power the first time, the food issue was paramount in adding to its appeal.”  Do you see this essentially a failure in governance? Or does it also have an ethical dimension, for ‘hunger’ is one point around which even the most doctrinaire of Marxists would rally philosophically. This is surely not a civil society issue. Is it then a failure of ethics at the most basic economistic level for the ruling front?  

Rajarshi: Perhaps the CPIM is not too bothered with the daily lot of working class and the peasants in this state now, other than as population it must govern as constituencies. However, I don’t think Singur and Nandigram reflect the rural West Bengal’s attitude in general. There is of course a serious problem as agriculture apparently has reached a ceiling in terms of economic growth and capacity to generate profitable vocations. At the same time, the CPIM’s partisan style of administrative decentralization has given a rather restricted character to local governance and development in the villages. But rather than talking about hunger and land question as symptomatic of CPIM’s ethical drawback, we might have a better picture of what is going on by thinking if it is a phase of primitive accumulation of capital. That will help us to situate CPIM’s politics with regard to globalization and the larger governmental imperatives of this juncture. The brutal destruction of extant resources could be necessary for a new imperative of generating economic energies, which is so impersonal that human cost ultimately does not matter. There are techniques to make it invisible. The CPIM’s failure is the stark visibility of this human cost in Nandigram, unlike say in Rajarhat. Again, this could be another long discussion. There is a new book by Kalyan Sanyal on this area that Partha Chatterji has discussed in a recent article on postcolonial governmentality.  However, neither this discussion, nor the new kind of studies of everyday rural politics appears to address the ground that ruling communists are gradually losing in the state.

Prasanta: You are right. Primitive accumulation seems to be a plausible explanatory paradigm, as discussed by Kalyan Sanyal in Rethinking Capitalist Development: Primitive Accumulation, Governmentality and Post-Colonial Capitalism. But I would tend to think that such a situation has a strong ethical component associated with it, something that primitive accumulation approach does not address fully, in two related senses—one philosophical and the other sociological. Primitive accumulation in its pristine sense is the means of divorcing the producer from the means of production, right? The robbery of the common lands and usurpation of clan property into modern private property under circumstances of reckless terrorism is directly connected to enclosure movement in early modern Europe, a variation of what we are seeing in changed global circumstances today in India. I would think primitive accumulation itself is constitutive of an ethical move: from an ethics of community to that of austere self-discipline. Hindu rate of growth and local ties and affinities must give way to a Weberian ethics of possessive individualism. It surely is impersonal and yet the ethical shift is not lost upon us. Certainly, the welfare entitlements to labour law provisions to provisions for community review of land use decisions that the State now shuns has a civic dimension embedded to it and hence a particular ethos of living associated to it. This is changing in the era of primitive globalisation and subnational mercantilism, if I may borrow a term from sociology, to denote what has been happening in India of late. There is no sense of concomitant international economic integration. Such State fragmentation inevitably fails to suggest sustainable forms of social action and hence thwart innovative modes of governance. But there is an ethical loss in this shift too, in the sense that severs cross-class, cross-race, cross regional and intergenerational social exchanges that stand in the way of short-term economic activity.

Rajarshi:  I largely agree with what you say here. Why don’t you expand on the possible parallels between the enclosure movement and primitive accumulation today?

Prasanta: Again, conditions for enclosure movement in medieval/early modern Europe and today are largely different, so drawing of a parallel may be hasty. But certainly, there are configurational similarities on the face of it. One would then often speak in terms of ‘agricultural revolution,’ apparently marked by indicators like increase in productivity. But dwelling on other indices like land use or labor productivity would not also mean much without connecting them to issues like the establishment of private property rights in land, the replacement of feudal tenures and estates with leaseholds for a period of years, changes in the size of the farms, and changes in the ways in which people were employed by others on the land—issues that are creating similar problems in Bengal or Goa right now. One is simply overawed to notice over a few centuries, beginning the sixteenth may be, how copyholders and other unfree tenants are gradually being extinguished out of their common rights by royal and parliamentary enclosures. Land and, really a way of life, were thus enclosed in piecemeal landholding schemes. Sure there were resistances: ranging from direct non-payment of rents and stopping labor inflow to the more hermeneutic, religious and eco-ethical approaches. Intersubjectivity and common preservation are often constant themes in such movements. But once again, the central problem of radical reformation was that its Old Testament ethical core of virtuous simplicity and righteousness could never be translated into a vision of politics because it was at heart challenging governmentality without providing a coherent alternative. Sheer anti-privilege, anti-prerogative prophetic pamphleteering failed to get the broad middle rally along with it against the developmental schemes of monarchy and especially the parliament. That is the similar problem that besets us today right—how (or is it at all possible!) to cohere the ludic and the civic, against the ruling left? The deluge of broadsheets and blogs that deal with subjectivity issue as a bulwark against the economism that marks organized left is astonishing, and yet the broad middle is not sufficiently enamoured by such purity, such righteousness.

Rajarshi: Perhaps our problem is more complicated. The West Bengal CPIM in fact represents a very successful translation of an alternative type of governmentality, supported by the ‘broad-middle’ who believes in a progressive ruling power. The CPIM has combined in this regard the meta-critique of capital with the advocacy of capitalist development. Having delivered the pro-poor land reforms it now must reclaim the farmland for a pro-rich industrialization. So where is the ‘broad middle’, what does it want? It wants the government to pursue land acquisition with minimum violence, and it wants the protestors to be more practical. For the broad middle is on the threshold of a new “cosmopolitan” lifestyle – shopping mall, big housing, big business and cheap family cars are on their way. Is any party likely to oppose the trend and expect people to vote them to power? No. That renders any resistance outside the pale of an electoral majority that gets to decide which ways of living, which ways of doing and speaking are essential and adequate for everyone. Such decisions must totalize life into governmental subject and politics into sheer disciplinary power. But are there no other ways of being and of being political? Can there be alternative clues for politics in cultural practice?

Prasanta: I must say I am hopeful about a section of the middle, in spite of its routine capitulations. May be it is not as homogenous as you suggest. Anyway, moving on to cultural practice, you have been working with a certain kind of imaginative literature, and given that a large number of creative people have come out in the open for what is essentially a political battle, do you think there is a possibility of aesthetics positively influencing politics in the state? I am asking this advisedly because among the many habits that have engulfed the Bengalis, the one in the field of aesthetics is most stupefying. Surely, there have been new literary experiments which have political ramifications—the names of Nabarun Bhattacharya and Mihir Sengupta—come to one’s mind immediately. A couple of young playwrights have also come up with powerful political allegories against the prevailing power structures. And yet they still have a cult following, unable to make inroads into living rooms of the Bengali middle class. The contemporary language of protest and spontaneity is yet to be transferred into any meaningful constructive ethical language. Are we then to return to old masters for direction? What is your sense of the ethical component in literary writings and art that can catch our imagination once again?

Rajarshi: Let me return to where we left the discussion on the minor register and new modes of sociality, which is useful to probe a productive relation between aesthetics and politics. Creative practices always carry serious concern about justice, which rises to the surface only in some artistic exercises that directly engage radical and progressive ideas. Both nationalist politics and vernacular socialism have had major exchanges particularly with progressive literature, along with art and music in the undivided India and Bengal. However, these exchanges were not identical, ranging from simple propaganda to criticism to offering new epistemological frameworks. Simplifying largely, one may find that much of the political role of these practices has been understood in terms of what the actors thought they were doing. Yet, this is not the only way of looking at the politics in art. There is another level at which the symbolic investment in art practices embody the politics of a period, which relates to a larger process, in a less apparent way perhaps. A different kind of intervention can be located here in some works that make certain aspects and things visible which are otherwise unthinkable in the dominant sensibility of a time. It is here that we observe new relations emerging into the field of reasoning that cannot be added to the given framework but demand a total reorientation of the subject. A major difference in the way it appears in a writer like Nabarun Bhattacharya and the avant garde authors of yesterday is that there is no more a speech of the protagonist. The narrative is not about ‘what is to be done’ even if it is eminently political in that it is not about placing the missing norm but about displacing readers to testimony from margins. This is often how artistic efforts that work, for example, with the dalit question and that of sexuality can be seen ‘doing’ politics, through a strategy of witnessing, as underlined in the case of Vaikom Muhammad Basheer in Malayalam literature. Let me give an example of how it may conjure a new form of sociality from another area. The example is from an autobiographical writing of a Bangladeshi author, Ahmed Chhaffa, describing life in the new rented flats in the late twentieth century Dhaka, where one is pursuing literary work and activism for the left in Bangladesh. The writing, however, sews this life with small anecdotes of gardening and cultivating aubergines inside the university campus, planting trees and meditating on the form of life that trees represent. In course of these activities, Chaffa discovers some professors who share his passion and teach him the tricks of cultivation, and some who make fun of it. A new kind of community-founding gesture takes place, which undercuts the distance between the urban literary intellectual and them that are not. The political implication is a subtle multiplication of lifestyles and subjectivities, an awareness of the shifting of values that make up the new morality, and a circumspect meeting with the powers of representation. I think this is where aesthetic works can open up new ethical grounds before politics.

Prasanta: Since you have drawn a thread between new modes of sociality and what you call the minor register, let me mark that while I concur with you on imagining in terms of the multitude while working within the parameters of democracy (which itself is a relatively new experiment in historical terms), I am slightly hesitant about relating the subjectivity of witnessing the variegated ways of existence wholly with the minor. The idea of addressing the margin and the different are powerful indicators of a radical democratic imagination but you will agree that fetishizing them have often have led another kind of universalist logic which in turn leads to mistrust and politics of retribution on both sides of the divide. History is replete with instances when the idiosyncratic margin, invested in liminal motifs in search of a radically new political language take either an inward, contemplative turn, or an outward, all embracing skeptical position, or at times both, so that it rather suicidally manages to blunt its own radical edges. This is not to deny that art is all about the variegated, the joyous and the suicidal! It indeed is. Rather that these inclinations toward fragmentation and difference may well do with a subtly constructive component; the best of utopias do hover within such a domain of hope, the not yet.

You will probably agree that certain conspiratorial views, which see the aesthetic merely as a domain of ideology (the Lukacian line leading to Terry Eagleton, for instance), are self-defeating. On the other hand, aesthetic breaking out as a Marcusian formula for universal human emancipation often prove to be rather cultist and quick, an impetus that have had powerful votaries in Bengal right from Swadeshi days till date. I would like to go back to your earlier thrusts over a certain gaming sensibility and courage. It sounds instructive to me that a political actor is at the same time taking a courageous step (of distributing the family members into rival camps and hence making the decisive choice of standing up to the party statistician) and on the other, practicing an evasive, slippery gaming sensibility (which itself could be either calculative or creative). There is almost a helical interdependency between the moment of decision and the moment of escape here, although you have not put it that way. I believe that imaginative artists who dwell within such risky eschatological framework also probably show an elusive gaming sensibility and at the same time take certain resolute, courageous actions via the tools that he often fashions on his own. And in the best of political artists, this dual gesture, though often challenging the reader via certain shifts and adjustments through unfolding of the narrative, does not necessarily fall headlong into romantic nihilism or moral relativism. In a related way, I think it is the greatest paradox of utopian, prophetic political thinking that it derives its strengths from a fierce intellectual pessimism and yet is metachronic, hopeful about the future.

One pivotal idea in poet William Blake, for instance, is that of ‘honest indignation,’ at things commonsensical and cautious, creations unnourished by love, inspiration, vision: in short, things that hinder and distort perception of the infinite. The voice of the infinite addresses such social and political distortions in Blake. And he works from within the visionary imaginative expansion of the senses, but not letting off perception. The indignation is acutely political, deeply aware of the human material circumstances, and not pious. Reason and energy are coupled in a free dialectic. And hence he manages to avoid playing the vanguard mystic, a know-all saint with his nuggets of wisdom to dispense, you know, the familiar kind we often have met in swadeshi and far left terrains, asking acolytes to be passionless and ascetic. In Visions for the Daughters of Albion, for instance, he links economic oppression, sexual repression, priestly manipulation of power, and militarism in a superb critique composed in a most clear, limpid prose. The world of suffering meets with that of simple indignation. And, the mocker of art is the mocker of Jesus.  How effortlessly could Blake say “The Prophets Isaiah and Ezekiel dined with me,” threading himself in line with Job and Boehme, Milton and Pascal, Hopkins and Dostoevsky. No doubt, with what you say, I sense a soulful structural connection between Chhaffa and Blake here—both actually disturbed by what D.H Lawrence would call, ‘a tragedy of ugliness.’ An aesthetic that mediates with birds and aubergines indeed gives me a Learesque sense of trying to bridge the primal with the political, a sensibility that, if you allow, I may call classically romantic. I wonder though, do these ruminations of art and the political, the kind we are discussing, not have a touch of Fourier and St. Simonians?  I mean, even as we dwell on the political, the artist and his art object, do we not need to address more forcefully the politics of it all? Are the prophetic, the utopian, the ur-romantic in art foredoomed to hover in the domain of the political, neatly getting around blood and grime?

Rajarshi: If politics left out domination we could do without margins; similarly, there would be no difference if politics did not impose an order. But insofar politics is the domination of a particular order it is equally about the creation of margins and difference. It is how the relation of power operates, fetish or not, which does not become visible of its own accord. We need the reflections from difference and margin precisely to bring this operation of power into focus. These words are not really new sets of ‘subject’ or ‘object’, but describe the relation between the subject and object – showing their syntax in our perception. They help to problematize that politics, in other words, which is resistant to electoral changes as well as rapid radical disruptions. So they need to trouble the very matter and representation of ‘politics’, especially in the way it leads us to construe life. It is this grammar telling us that the despite political indignation Blake was writing poetry and despite religious rhetoric Bush was making a political speech. We must realize that politics is also, as Jacques Ranciere says, a ‘framing’ of perception – a way of partitioning what is perceptible from what is not perceptible in the experience by our senses. It means that politics will obscure certain areas of its power through epistemic protocols. To perceive that of course involves another ‘framing’, but also the awareness of the intrinsic problems of ‘framing’. Since no ‘framing’ can offer a picture of the whole, it cannot be expected to recommend an ideal state of justice with regard to class, caste, gender and race all at once. It must be a variable framing in relation to what is being repressed in a particular hegemonic system. We need a very supple construction to see that alternatives are always a possibility, without digging up a final theological solution of sorts. That is why the reluctance to dwell on a messianic moment or to forecast a ‘utopia’.

Working within the parameters of democracy, as you said, as an ethical horizon, if I may add, there is a utopian dimension to daily small interventions, but in a different sense. It is not a specific blueprint of future that gives the hope to keep on suffering. Is not the not-yet fairly dated in that sense, having to keep to a promised format? Democracy however offers other possibilities, where new senses of a better future can become an orientation, the basis of an ethical responsibility to the present. Even if such a future is unrealizable in the strictest sense, it does not fail as logic for intervention. Let us consider, for instance, what kind of utopia motivates feminist politics, which could very well appear unmarked by blood or grime regardless of unremitting violence. Only a different ‘framing’ will render this violence visible and the resistance meaningful, which is not, let us note, about an alternative governmentality. The utopian dimension is not a given outcome, if given at all, but rather like the practical basis of a judgment. Its relation to ‘consciousness’ is not like a belief in the ultimate nature of human beings and their fate. There is a meta-humanist framing in the latter case, which renders the role of capital and technology basically as ‘de-humanizing’, alienating from our ‘primal’ nature, which poetics seemingly wants to recover for politics. This is where critical theory is often tempted to take an existentialist turn to authenticity. But I want to insist on another ‘framing’, which takes the role of capital and technology precisely as ‘humanizing’, and poetics as a way of ‘de-familiarizing’ this human being, making it accessible to politics and philosophy in new ways.

We have been touching too many points here, sometimes fleetingly what deserves a separate discussion altogether. But if I try to recall our points of difference once more at this stage, a good way of putting them is how we posit the newness of the moment. You seem to argue that it presents a major break in the given forms of politics by throwing up an ethically motivated section of people who can create through civic practices a much more democratic form of self-governance. Their efforts stand to be enriched by tapping into a radical stream of republicanism, but you suspect that even they might fall prey to power. My guess is that they would, and there is no foolproof plan to prevent this beforehand. I see the newness of this moment in our chance to overcome this vain project, of trying to narrate politics around a subjective economy of self, which will logically ensure goodness in the society. I find it hard to believe that politics will simply be a means to this kind of self-making end of a good society, which is often the image of a politics looking for moral legitimacy.

We need to consider what such a selfhood and identity conceal in its naturalness – the given order of difference, the context of exercising power, the premise of making law for the others. The truths about self and goodness, spoken by such operations, come to rest very often on a vague understanding of the ‘growth’ of an ethnic community, a region and the nation-state, whose rise and flourish must be that of global capital ultimately. So I would see the newness in turning away from the humanist emphasis on subjectivity and morality as a foundation for grasping political practice. In fact, there is a new and exciting emphasis on practice in some very recent works, like that of Srirupa Roy, moving away from the frame of subjectivity imagined from below. Also shaping up is a new kind of history of ideas, for instance by Benjamin Zachariah, underscoring class and cosmopolitanism of the post/colonial subject, opposed to a deep vernacular sensibility. I feel such works represent the translation some of us are looking for between theory and practice, clearing new fields for intellectual politics. But I think it is also necessary to pursue the questions of self and good life beyond the humanist framework, to see how the ethical could emerge in forms-of-life that are no use to the prophet or the nation-state, yet essential to biopolitics today. You may have different things to say to that.

Prasanta: There is no doubt about the newness of the moment; in fact, that is what prompts us to this dialogue, right? But one must realize subjectivity is one important but finally limiting cog if we are to conceive the political, especially considering the highly structured and ruthless climate that the organized left is functioning and the equally polarized manner the far left and right organizations are responding. Let me then slightly modify your delineation of my overall position. Modern art and literature have shown an inherent tendency away from classicism in perfection of form toward romanticism in concern for feeling that overrides form. So, as a whole the object of modern politics may be seen as a drive to consistently push for differences and margins as extra-constitutional democratic forces that may overcome the restraints of the state and its machineries. Hence, the demand for more subjectivity and creativity. I am rather convinced that while informed romanticism is necessary for plotting politics, to consider politics bereft of human intervention—via a benign nature or theodicy for instance—is to turn away from democratic politics in crucial ways. In fact, we are bound to revert to moral legitimacy unless we consider the political in its own terms, without sentimentalising. Machiavelli’s one great contribution is his intense concern for forms that must be made and remade by learning how and when to introduce innovations. The idea of political innovation in the face of overwhelming fortuna, say the kind of organized left-liberal machinations that we are now discussing, may be akin to what you are calling a gaming sensibility, but I am of course talking from within a dialectical framework whereby selfhood need not be radically decentred. Your idea of framing and orientation by not delving into transcendental politics is also highly interesting in this context. But right now one of my primary concerns is to understand politics as a mode where innovations, having a utopian dimension, are married to prudence. I am belabouring the point that such civic-agnostic prudence cannot afford to be ethically neutral if is to tackle the unleashing of the mercenary statism that we are discussing. Could we conceive the growth, stability and imagination of West Bengal in a different way rather than relinquish the issue altogether as one more hegemonic schema of the nation state paradigm? In this context, you will recall Tagore’s critical exhortations on Gandhian charkha politics in the sense that in spite of his praise for the innovation aspect of such symbolism, he is scathing on the shortsightedness of the prudential side. Tagore is certain that such a miraculous moment of a wholesale conversion stuns our mind and eclipses our judgment, raising high hope of easy realization that is very much like the boom in the business market. So, Tagore, the arch romantic, is loath to take that extra step and espouse rabid anti-modernism and politics of miracles that the charkha might spawn. This seems to me to be a considered political position. In other words, a realizable utopia could possibly use the realism and dynamism of modernity by accepting the romance and myths of the ancients and vice versa. Adorno and Horkheimer saw this possibility long ago. I am then much less doubtful than you would allow about the possibility of a radical republicanism in Bengal at some point. I think it can at once flummox libertarian statism and chisel sectarian breakaway politics.

Rajarshi: What if we asked did Rabindranath Tagore do a prudent thing criticizing the charkha? Certainly this criticism did not generate an alternative stream of mass activist programs; it troubled and qualified the existing ones. Then was Tagore not, deliberately, undermining nationalism? It is possible to think that he was undermining at the same time that he was supporting it in this odd way, an intimate disagreement that is both uncompromising and fraught with misunderstanding. That will be my way of looking – a critical and oblique relation to ‘the politics’, making an eminently political gesture – that anticipates the changing sense of ‘the political’ we are probing in relation to aesthetic works. But this is not really going to explain or influence the results of an election, because such gestures are unrecognized in the institutional forms of politics as yet. Whether we talk about ethical questions or aesthetic interventions, as you said, their implication for the institutional forms of politics, like votes, remains a difficult question. Part of the problem is the electoral and chiefly administrative preoccupation of the institutions, which highlight public legitimacy and ‘representative’ aspects of democracy over its ‘deliberative’ practices. It is here that the picture of the state accumulating capital is cancelled by the picture of the state distributing welfare, making development policies. The ‘representative’ institutions are not unwilling to expand in the grassroots – the panchayat is an example, but they simply don’t encourage deliberative participation. One can vote or not vote, but there is no space to weigh up the nitty-gritty of a policy, to discuss if elections are good enough to decide on a new economic policy, to ask if votes have not become like an insurance, to ask which people are casting votes out of compulsion. If we are witnessing new civic practices by an ethically motivated section of people, as you say, the challenge for them is to create spaces for such deliberation that can generate new institutions of participatory democratic practice. This is perhaps where we the need the element of innovation to the utmost, not only to tackle the censor of deliberative gestures but also to perceive the changing form of the political. One of the most interesting aspects I thought in the civil society’s reaction to Nandigram was an arguable absence of the political act in a theatrical mode – staging oratory and performance. There was a sense of conversation in relative silence, a sense of using new technologies like the media, mobile phones and internet, and a sense of anonymous communities formed across party loyalties. Is it possible to see such communities becoming a new civic feature, as basic to the exercise of citizenship, as a new form of democratic participation? Is it possible to see such community-making gestures as new kind of political act – that signals a movement of the disenchanted to reshape democracy?

Prasanta:  Yes, coming from different directions, Tagore as well as a quasi-mobilized civil society, both abhor histrionics of a certain kind, keeping safe distance from tearjerking staging. This is instructive. Tagore’s point to Gandhi stems from a humanist’s dislike of sentimental nationalism, not nationalism per se. An aesthete’s dislike of garishness too is involved. Tagore has always been sceptical about absolute alternative systems, especially if mass leaders hobnob too much with pure transcendence or rituals, be it Gandhi or the swadeshis. He will then, as you rightly suggest, even take the risk of undermining ‘questionable’ strands of nationalism. The institutional experiment of Vishwabharti is formally and fundamentally different from Tolstoy Farm or Sevagram in this sense; it finally builds up over an immanent frame rather than take to mobilizing aesthetics or politics around any renunciatory platform.

One must be on guard though, that such immanent moves, stories of human flourishing, especially conceived by a lesser player, can quickly turn into uncritical celebration of rationalism within anonymous private spheres, whose formal manifestation would often mean holding on to some kind of constitutional patriotism, to borrow a phrase from Habermas.  It is constitutional, because one would rally around legal moral principles, but it is patriotism because we are fiercely attached to our particular historical project of realizing these aims. This easily generates chauvinism of a certain kind, familiar in our times in such metaphors like “largest democracy,” “cultural superpower” or “naturally multicultural,” and certain feelings of smug superiority when we look at some unfortunate developments in a nearby country. You would recall not long ago West Bengal had famously been imagined by the ruling front as a peaceful haven, an oasis of sorts, the state’s rule of law being favourably evaluated to other regions, until that very idea of ‘law’s empire’ was quashed by deploying the friend/enemy distinction even as parts of East Midnapore was handed over to organized mercenaries. Decisionism prevailed. Shall we call this uneasy cocktail constitutional provincialism?

The kind of issues that we are discussing, on the other hand, probably offer a different poser: how to translate political gestures and innovative strategies into meaningful institutional practice, avoiding at once constitutional and theological choices that are being offered. The conundrum lies in the fact that political structures need to be checked if not adjourned, and yet one cannot do away with structures altogether. A purified non-code or a transcendental non-structure, ruling forever, is a noble chimera, an exercise in trompe l’oeil. And yet, one suspects, especially after the recent panchayat election results in West Bengal, that other options and coalitions may have surfaced, and the cue is being provided by the demos, not the other way round. The point is that such options might not remain democratic in the sense that we are talking as long as merely remain deliberative in the communicative sense. Civic introspection can ill afford to remain procedural.

The possibility and institutions of self-government is at the core of a democratic civic world that I have in mind. And it is not as much about directly participating in the institutional processes as being eternally vigilant in the face of despotic encroachment. This idea of vigilance against political equilibrium, which goes beyond mere constitutional procedurals, had long vanished from Bengal. Whether we are witnessing a resurgence of such a mentality is an open question, but in a vigilant community, a public network of decision-making that will be deeply subjective in its core could offset discretionary decisionism. Mind you, I am not referring here to middle class vigilante media and judicial activism that we witness on television. But a subjective condition rather, a constant watchdog mode that cuts across class, caste and the urban/rural divide—leading to the kind of anonymous conversations and new communities that you refer. Legislative processes themselves will be affected if such a mode takes a sustained public dimension and may discourage back room bargaining on the basis of sectional interests, at least in the short run.

The complementary component is to realize that our ability to marvel at the micro-orders of creation—nature, art, grace—go hand in hand with the idea of secular civic liberties.  May be this sense of a larger cosmic order going beyond party or community or regional loyalties or even humans can provide institutions, even in a modern democracy, with a sense of durability, however contingent that might seem in the immediate present. And relative silence, as you say, is a good beginning I’d think. Silence is dialogic, not communicative. Silence is meditative, and hence masks ludic potentialities.  It could well burst out in new civic relationships.  But I also notice a shrill noise beneath. Who knows which way things might turn! This developing political platform might well be a ruse, though now with possibilities. But for the time being, this silent unrest may remind Bengal one more time that the representatives are but people’s creatures.

  

Selected References: Prasanta Chakravarty                                                   

Kenji Mizoguchi, Sansho the Bailiff (1954).

Sankha Ghosh, Andher Sparsher Moton: Pranabesh Sen Memorial Lecture 2007 (Kolkata: Gangchil, 2007).  .

Aristide Tessitore, Reading Aristotle’s Ethics: Virtue, Rhetoric and Political Philosophy (SUNY Press, 1996)

J.G.A. Pocock, The Machiavellian Moment: Florentine Political Thought and The Atlantic Republican Tradition. (Princeton: Princeton UP, 2003).

Mahesh Rangarajan, “Crisis of Legitimacy for Remorseless Bengal Left.” Mail Today, (Delhi, 26 November 2007).

Kalyan Sanyal, Rethinking Capitalist Development: Primitive Accumulation, Governmentality and Post-Colonial Capitalism (New Delhi: Routledge, 2007).

Raymond Williams, The Country and the City (Oxford: Oxford UP, 1975).

Andrew Macrae, God Speed The Plow (Cambridge: Cambridge UP, 1996).

Ernst Bloch, The Spirit of Utopia (Stanford: Stanford UP, 2000).

Paul Nizan, Watchdogs: Philosophers and the Established Order (Monthly Review Press, 1972).

William Blake, Visions of the Daughters of Albion (1793).

Rabindranath Tagore, The Cult of Charka (1925).

Anjan Chakrabarti, Anup Dhar, Kathapokathane Marx O Rabindranath: Unnayon O Bikalpo (Kolkata: Gangchil, 2008).

Selected References: Rajarshi Dasgupta

Sa’adat Hasan Manto, “Toba Tek Singh”, Savera 1953, trans. by M Asaduddin in Manto, Black Margins, ed. by M U Memon, 2001.

Ahmed Chhaffa, Pushpa, Brikkho ebang Bihango Puran, 1996.

Mihir SenGupta, Bishadbriksha, 2005.

Nabarun Bhattacharya – Herbert, 1997.

Gilles Deleuze and Felix Guattari, Kafka: Toward a Minor Literature, trans. by Dana Polan, 1986.

Jacques Ranciere, The Politics of Literature, SubStance – Issue 103 (Volume 33, Number 1), 2004.

Udaya Kumar, “Ethics of Witnessing: Vaikom Muhammed Basheer and the Subject of Historical Narration”, in E. V. Ramakrishnan ed. Narrating India: The Novel in Search of a Nation, 2005.

Srirupa Roy, Beyond Belief: India and the Politics of Postcolonial Nationalism, 2007

Benjamin Zachariah, Developing India: An Intellectual and Social History, C. 1930-50, 2005.

Michel Foucault, The History of Sexuality: The Care of the Self, trans. by Robert Hurley,1986.

Jacques Derrida, “Force of Law: The ‘Mystical Foundation of Authority’” in Deconstruction and the Possibility of Justice, edited by Drucilla Cornell, Michael Rosenfeld, and David Gray Carlson, 1992

Carl Schmitt, Political Theology: Four Chapters on the Concept of Sovereignty, 1922, 2005.

Giorgio Agamben, Means without end: notes on Politics, 2000

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Prasanta Chakravarty was then Associate Fellow at the Centre for the Study of Culture and Society, Bangalore.

Rajarshi Dasgupta was then Fellow at the Centre for Studies in Social Sciences, Calcutta.

 

 

 

 

Post-colonial Kali

Arindam  Chakrabarti

Before Independence, patriotism often took the shape of mother-worship. The rhetoric of ‘sacrifice’ or balidaan bridged the gap between the political and the religious. In these post-patriotic times, should we, globalized urban intellectuals, indulge in the easy reductive ‘analysis’ of Kalification of the homeland as a psychosis of the colonized bhadralok’s threatened masculinity, the quixotic blood-thirst of a bunch of emasculated wordy nerds?

In certain quarters, not only is it ‘cool’ to deride Bankimchandra’s Vande Mataram and Sri Aurobindo’s Motherland obsession but it would be ‘positively uncool’ to be aroused by the part of Tagore’s Janaganamana where the country is hailed as a mother. When that song was sung in a National Congress session, in the presence of, but not in praise of, King George V, certain cynics spread the rumour — apparently all the way up to Yeats and Ezra Pound — that the adhinayaka addressed was the King of England. In response to this debunking spin, Rabindranath had the following to say: “That great Charioteer of man’s destiny in age after age could not by any means be George V or George VI or any George. Even my ‘loyal’ friend realized this; because, however powerful his loyalty to the King, he was not wanting in intelligence.”

Unfortunately, among 21st century www-intellectuals, there seems to be no want of such people wanting in intelligence. Some of them may scream in post-colonial petulance: “How could even Rabindranath, who disliked nationalism as much as he hated fascism, address the ‘divine dispenser of India’s destiny’ as a ‘Maa’ (4th stanza)? How disappointingly communal!”

Of course, Rabindranath was no Tantrik Hindu. Indeed, it would be an understatement to say that Rabindranath was uncomfortable with the image of Kali the Mother about whom Vivekananda wrote one of his most majestic and deeply personal poems.

For Rabindranath, a sophisticated aniconic Brahmo, Kali’s nudity, her skull-necklace, her bloody sword, and lolling tongue must have been abhorrent on multiple levels. As a colonial subject, valourizing the Indian civilization as philosophically majestic, morally pure, aesthetically enchanting and spiritually lofty, he must have found goddess Kali to be much more of an embarrassment than Krishna, the other dark and devious divinity with whose iconography at least the young Rabindranath (of Bhanusingher Padaavali) was almost in love. His novel Rajarshi as well as his play Visarjan feature a Kali temple on top of a hill in Tripura as a seat of violence and intrigue. The plot centres on the abolition of animal sacrifice by a humane king of Tripura who is pitted against the machinations of a power-thirsty priest called Raghupati, who tries to inflame a mutiny, dethrone the king, and abet the weak, envious younger brother of the king to fratricide. The play — a passionate argument against the divisive religious politics of bloodshed — climaxes at the scene where this devout Kali worshipper, now badly defeated, rebukes the stone idol and throws “her” out from the temple down into the river, out of sheer frustration and a crisis of faith.

Interestingly, the young Rabindranath would act in this very role of a disillusioned priest-villain and would imaginably enthral the audience with the vitriolic crescendo of an anti-Kali speech.

“Kali the Mother” does not afford us any softer face in Swami Vivekananda’s English poem, “For Terror is Thy name/ Death is in Thy breath/ Thou ‘Time’, the All-destroyer!/ Come, Ov Mother, come! Who dares misery love/And hug the form of Death/ To him the Mother comes.” It would be a mistake to associate the word “Terror” here with the ‘terrorism’ of the Ullaskar or Jugantar brand. Before ‘hugging the form of death’ at half the age till which Tagore lived, Vivekananda had gone to Kashmir where he wrote that poem. During this stay, while ritually worshipping Khir Bhavani, he had the thought: “Mother Bhavani has been manifesting Her Presence here for untold years. The Mohammedans came and destroyed Her temple, yet the people of the place did nothing to protect Her. Alas, if only I were then living, I would not have borne it, I would have protected the temple from the invaders.” He, then, distinctly heard the voice of the goddess saying: “It was my desire that the Mohammedans destroy the temple. It is my desire that I should live in [a] dilapidated temple, otherwise, can I not immediately erect a seven-storied temple of gold here if I like? What can you do? Do I protect you or do you protect me?” The present day chariot-driving ‘protectors’ of Ram and Durga should heed these words of the Mother, in front of whose idol we have always sung:

“My mother’s image by error with clay I want to shape/ this Ma is not earth’s girl, vain toil, with clay I sweat… My mother has three eyes: sun, moon, and holy fire. Is there an artisan, to build me such a one?” (Translation: Gayatri Spivak).

If the maternalization of language or land is necessarily abjured because of its suspected Hindutva roots, then what do we do with the national anthem of Bangladesh — also composed by Rabindranath — which uses “Ma” as a refrain, with no trace of militarism?

This whole essay was sparked off by a sequence of emotions I felt when I first heard the new 2011 Janaganamana recording by 39 musicians on YouTube this year. First I was just viscerally moved to tears by it, simply by the variety and richness of styles. The emergent rasa that enraptured me was not Veera but a sublime blend of Adbhuta and Shanta rasa, like one relishes the cosmic form of Krishna, in the 11th chapter of the Bhagavadgita, with. But then I was embarrassed by my own reaction. I had never noticed the presence of the ‘Mother’ in that song (4th stanza) before. Durga Puja was drawing near. There was nostalgia in the air, reminding me of the completely non-sectarian atmosphere of our home Puja at Mominpur where the local rich Muslim family would pay for the sweets on the Ashtami day’s bhog. Was there a secret Hindutva skeleton inside my anti-nationalist closet? Or is senility softening me like the Marxist Manik Bandyopadhyay whose last alcoholism-rehab days were permeated by Kali bhakti?

We have all learnt “the illegitimacy of nationalism” from Rabindranath via Ashis Nandy. We know that patriotism is one thing and nationalism is quite another. Tagore and Gandhi were patriotic, Bipin Chandra Pal and Netaji were nationalistic. National pride is immoral because un-universalizable. Believing one’s own cultural heritage or religion to be the greatest in the world is unethical because you cannot consistently will that this maxim be universally and sincerely embraced as objectively true by all other peoples of the world. But even Rabindranath’s cosmopolitanism would surely be inimical to the grotesque globalization which would let AIG and Merrill Lynch settle the Kashmir dispute.

Echoing the Atharva Veda, Rabindranath famously pays homage to the Earth Mother, yet he would extol Divine Mother in a patriotic spirit, when the occasion demanded it. Hiskirtan-tuned “Ek baar toraa maa bolia daak” is a patriotic invocation of the motherland. “Aji Bangla desher hridoy hote kokhon aponi” is such a patriotic song which oozes withbhakti towards a motherland portrayed in words uncannily similar to the standard descriptions of Kali: “In your right hand blazes the khardga/ The left hand takes away our fears and cares/ Two eyes emit the smile of affection/ But the eye-on-the-forehead is of the colour of fire/ The more I see you, Ma, the more I fail to take my eyes off/ Your golden temple has thrown open its door today.”

This dark mother is daughter, mother, country and poor neglected mother-tongue at the same time. When it comes to lamenting the languishing vernacular culture and language, Rabindranath, in a heart-melting song, depicts the same goddess as a spurned mother whom the Anglicized Indians are ignoring while she awaits their return home morosely in her humble holy hut. One characterization of this country-mother is “one whose language everyone is dying to forget (kaahaar bhashaa haai, bhulite shobe chaai, she je amaar janani re)” — a nice reminder to the average reader of this newspaper.

When Abanindranath — greatly inspired by Sister Nivedita who imbibed the love of Kali from her master — painted Bharat Mata, he replaced the sword and the bleeding head with a book and placed a bunch of rice twigs (food) and a piece of home spun white cloth (clothing). Should we vivisect this painting to detect traces of a militant nationalism in it?

The world’s earliest convocation speech, in Taittiriya Upanishad, urges the new graduate to “make your mother your God”. We deify our mothers, and the earth we live and die on, and we call our first language, if any, our mother too. When the mellifluous multiculturalism of our national anthem, in its recent YouTube version soulfully sung by such diverse artists as Balamuralikrishna, Ghulam Mustafa Khan, Ajoy Chakrabarty, Hariharan, Sonu Niigaam, Usha Uthup, Sunidhi Chauhan, Leslie Lewis and others (while the English translation is recited by Harsh Neotia in an unabashed Indian accent), touches that chord of maternal thinking, it is okay to cry in uncritical worshipful joy.

Arindam  Chakrabarti teaches Philosophy of Language and Mind, Kant, Wittgenstein and Indian Philosophy at the University of Hawaii at Manoa